The physicality of them

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Every night, when I put Grace and Whit to bed, I whisper, “I’ll see you in the morning.”  That sentence is, as I wrote a few months ago, the distillation of parenthood.  I will be here in the morning.  You can go to sleep, safe, sound, trusting.  I’m not the only mother who finds bedtime, and the hushed hours after the children go to sleep, to be among the sweetest parts of the parenting day.  If I search my archives for bedtime posts, pages and pages come up.  Good night, Whit is among my favorites; I can’t read it without crying.  That’s especially true now, as I read through the scrim of years, with the awareness of all that has irrevocably changed.

Often, I go back in to see Grace and Whit before I go to sleep.  And sometimes I sit next to them on their beds, watching their sleeping faces, observing the shadows that their eyelashes cast across their cheeks.  Sometimes I put my hand on their chests, feeling their breath rise and fall.  There is a tangible grace in the rooms of my sleeping children, a magic that hovers in the dim, nightlight-lit air.

I love these moments, when I watch them, listening to the quiet of the room, the soft thrum of their breathing.  I stare at the length of their bodies under the covers, tumbling down the hall of mirrors that is my memory, remembering their baby selves in their cribs in these very same rooms.  It is such a cliche, but many cliches grow out of truth, don’t they?  How did these children, simultaneously sturdy and fragile, long and angular and lean, come out of my body?  Where did my babies go?

The expanse of Whit’s back, as he stands up to his ankles in the ocean, or the shadows Grace’s eyelashes cast on her cheeks when she’s looking down, reading: these are as familiar to me as my own face in the mirror.  They came from me and they are still intimately known; this is the private geography of motherhood.

As I write this I’m away from Grace and Whit, and I’m heading home today.  I can close my eyes and imagine their bodies barrelling into mine when I walk in the door, the smiling faces and mile-a-minute talking and hugs.  The hug that will remind me that Grace’s head now falls pretty close to right under my chin, and that Whit is the height I still delusionally think that his sister is.  And tonight, you can be sure, after I tuck them in, I’ll go back into their dusky rooms to watch them sleep, to be reminded of their beating hearts and breathing lungs, of their sturdy and fragile bodies, of them.  My daughter and my son.

 

What I see right now

I take pictures of everything.  When I leaf through the last few weeks or months on iphoto or instagram, I’m reminder of countless moments that a fleeting sense of wonder startled me to stillness.  When I have those experiences, my instinct is often to photograph whatever it is that caught my attention and reminded me of the grandeur of this ordinary life.  The photograph never, ever captures the moment (the best example I can think of is falling snow: I’ve never taken a picture that even remotely shows the extraordinary beauty of falling snow) but it does remind me of those tightness-in-chest, gasp-of-breath moments that I’m grateful to have every single day.  The photographs are a record of what I see.  And, remember: what you see is what you get.

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The late-winter, early-spring light on a steeple, against one of the most devastatingly blue skies I’ve ever seen.
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The light streaming through my front door one afternoon, when it seemed tangible, visceral.
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Grace’s shooting star tattoo, which inspired part of my ode to age ten: Ten is a complicated hymn, a falling star, a blink-and-you’ll-miss-it moment in time, an otherworldy flash of green gorgeousness in the dark ocean.
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This book, that Grace wrote at school, whose “About the Author” section moved me the most.  “It took Blue five years to write Chasing Vermeer,” it says, “because she was teaching and also taking care of her kids.”  I swooned.
Moon

A swollen moon hanging on the horizon in Washington.  Grace actually noticed this as we walked back from dinner one night.  The moon, the moon, the moon: a constant reminder that we need dark to be able to see the light.

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The sun coming up, as seen on the tree outside my kitchen door.

What are you seeing these days?

Let Go

Let go of the ways you thought life
would unfold; the holding of plans
or dreams or expectations – Let it
all go. Save your strength to swim
with the tide.

The choice to fight what is here before
you now will only result in struggle,
fear, and desperate attempts to flee
from the very energy you long for.

Let go. Let it all go and flow with the
grace that washes through your days
whether you receive it gently or
with all your quills raised to defend
against invaders.

Take this on faith: the mind may never
find the explanations that it seeks, but
you will move forward nonetheless.

Let go, and the wave’s crest will carry
you to unknown shores, beyond your
wildest dreams or destinations. Let it
all go and find the place of rest and
peace, and certain transformation.

~ Danna Faulds

Another wonder from A First Sip.  A year or so ago I wrote, on twitter and Facebook, that “I truly believe that all our suffering comes from our attachment to how we thought it would be.”  I also wear the words Let Go around my neck.  This poem speaks to me.

GIVEAWAY: The Cassoulet Saved Our Marriage

When my copy of The Cassoulet Saved Our Marriage, I opened it hurriedly and dove in.  One of the editors, Lisa Catherine Harper, is both a friend and a writer I adore.  I read, loved, and reviewed her first book, A Double Life: Discovering Motherhood.  Other writers I love, like Deborah Kopaken Cogan and Catherine Newman, also contributed.  This book is a wonderful meditation on what food means in the context of a family.

When I think about food and family, my mother comes immediately and always to mind.  I wrote about her, years ago, about how she embodies the sentiment that casseroles are grace.

I am deeply honored to share a beautiful essay by Lisa Catherine Harper here today.  I love everything she writes, and this is no exception.  I know you will too.

I’m delighted to offer a giveaway copy of The Cassoulet Saved Our Marriage.  I can’t recommend this book enough: you will love it.  Please leave a comment here – if you want to share a story of food in your life, that would be terrific! – and I will choose a winner on Sunday. 

Still Life with Orange

By Lisa Catherine Harper

 

In our backyard, we have a gorgeous, old orange tree. Its leaves are thick and glossy, and come winter, it’s studded with more bright fruit than we know what to do with.  We snack on it, and make arancello, and squeeze gallons of fresh juice, and still, we have sacks and sacks to give away.  In the spring, when the blossoms for next year’s crop are budding like tiny, fragrant constellations, we have a few brief weeks when we can picnic under its sweet-smelling shade.

For me, the orange tree is a California dream and everything the fruit of my northeastern childhood was not.  No matter how many years I live with them, those oranges still seem to come from a faraway place. For my children, though, the tree is ordinary, the stuff of home.

And this is where things get interesting. I think that it’s in this tension between the extraordinary and the ordinary, the unusual and the mundane, that traditions are made. The fact that those oranges are a part of our everyday life is what makes them special.  We wait for them, we watch them grow, we harvest them, we eat them. Most of the time, it’s just there, a pretty tree that stands beyond our kitchen window, as much a part of our yard as the cats.  But when I bother to pay attention, in those out-of-time moments when I become aware of its natural cycle, then I know that–without trying or doing anything special–we have a tradition.

What are family food traditions? How do they come about? And why should we care? These are the questions I’ve been thinking about for the last four years as I worked on my new book, The Cassoulet Saved Our Marriage: True Tales of Food, Family, and How We Learn to Eat.  As my co-editor and I selected stories, submitted by a wide range of food writers, fiction writers, essayists, and journalists we found ourselves thinking hard about our own family food and we realized we wanted to tell a different story, one that moved away from mantras and manifestos and talked about the real issues facing real families every day. Not what we feed our families, but how, and why, and why should we care?

The stories we included in Cassoulet share two important things. First, family food isn’t just the food we feed to our kids.  Husbands feed wives, dads feed kids, siblings feed each other, children feed parents. Second, family food doesn’t necessarily involve special occasions or long-standing traditions. As the stories accumulated, we had accounts of everyday food, snack food, despised foods—these were at least as important as celebratory food, or recipes sanctioned by generations. Writers remembered the absence of food, too, because for better, for worse, in sickness, and in health, every aspect of our relationships is implicated in our family food. It’s something of a cliché to say food is love, but our tables rehearse—explicitly, implicitly—the joy and connection of our most intimate relationships as well as the conflict. What became abundantly clear is that family food is shared in relationship, and it reflects these relationships.

 

The point, though, is not to give us parents one more thing to feel guilty about. We don’t need more rules, or more people judging us.  What many of us need is simply to broaden the conversation and understand that what happens in the kitchen or at the table is at least as important as the ingredients that end up on the plate.

 

And here’s where my orange tree comes in.  In a very simple way, it reminds me to pay attention to what I already have. Sometimes, the simple act of picking an orange is enough to restore us.  In the midst of all the rush and bustle of family life, in the middle of work and homework and carpools, sometimes, a sustainable family food culture is more important than sustainable food. My family’s food will not look like yours-and this is the whole, beautiful point.  In our family, we have the tree. Your family will have something else–a red sauce, or a pancake recipe, or a garden.  We can start by telling our stories: this is what family food means in our life. What does it mean in yours?

Photo Wednesday 39

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This is how we found Brown Bear, Yellow Bear, and Beloved when we returned to our rooms after dinner last week in Washington. For some reason the way housekeeping posed the three of them just cracks me up. I also love seeing their dear, worn faces, because they are such a snapshot of right now in our lives.