I Hope You Dance

I Hope You Dance
(Lee Ann Womack)

I hope you never lose your sense of wonder
You get your fill to eat but always keep that hunger
May you never take one single breath for granted
God forbid love ever leave you empty-handed

I hope you still feel small when you stand beside the ocean
Whenever one door closes I hope one more opens
Promise me that you’ll give faith a fighting chance
And when you get the choice to sit it out or dance

I hope you dance
I hope you dance

I hope you never fear those mountains in the distance
Never settle for the path of least resistance
Living might mean taking chances but they’re worth taking
Lovin’ might be a mistake but it’s worth making

Don’t let some hell-bent heart leave you bitter
When you come close to selling out reconsider
Give the heavens above more than just a passing glance
And when you get the choice to sit it out or dance

I hope you dance.

Grandmotherless

I started an essay years ago with this sentence:

I am grandmotherless.

I lost my grandmothers in 1997 and 2001.  I know: I am profoundly fortunate to have had four grandparents at my college graduation (see above, and please be kind about the swollen sunburned beer face I am sporting).   All four of my grandparents were a big part of my life for a long time (and one grandfather still is!) My grandmothers, Priscilla and Janet, were very different but they shared energy and intelligence; they were both tremendously important to me.  I’ve written about their influence on and example to me before.

Julie Daley writes compelling, gorgeous prose about the sacred feminine.  Months ago she urged us to name our mothers, grandmothers, great-grandmothers, positing that in naming our matrilineage we can restore – or at least remind ourselves of – its innate power that has been dismissed in so many ways.  And so I did: Susan, Priscilla, Janet, Marion, Marion.

Last week Julie shared a video that is nothing short of stunning of a poet, Mayda del Valle, speaking her words – her truth – at the White House.  I urge you to watch it.  Del Valle speaks about grandmothers, about the wisdom that exists in womens’ bodies, about reclaiming the sacred feminine and creative power that has been taken away from us.  Hers is an incredible performance, one that made me cry and stunned me into contemplative silence.

abuela how did you pray before someone told you who your god should be?
how did you hold the earth in your hands and thank her for its fecundity
did the sea wash away your sadness
how did you humble yourself before your architect
did your lower yourself to your knees
or rock to the rhythm of ocean waves like I do
grandma how did you pray ?

Del Valle evokes the cords that ripple between generations of women and the truth that beats deep in our bodies.  This truth is “…a knowledge that is on the flip side of reason, beyond logic … a place where all there is is belief. Something soaked in blood, in tears, in milk. Something that might – maybe? – be showing me the way towards faith, towards meaning, towards the things, both maddeningly abstract and all-important, that I ache for most powerfully.”

Speaking directly to her grandmother, del Valle shows us that women “have always raised our hands to the sky wanting to touch the invisible force that holds these cells together into a fragile mass.”  She reminds me of my own grandmothers, whose lives I sometimes feel throbbing in my own bloodstream, whose faces float near me from time to time, whose words recur in my head.  We are all a part of something larger than ourselves, something that of course encompasses men too but that somehow exists deeply in the fertile soil of the female body.  We are linked through the generations – through generation, in its basic sense – and to lose sight of that connection is to rupture our access to the source of humanity itself.

The moon, like a conductors’ baton, sweeps the ocean back and forth.  These tides operate in the female body too, which resonates, like the sea, with the moon.  This was true for our grandmothers’ bodies, and for their mothers’ bodies, and for as far back as we can see.  We have all been simultaneously buffetted and held by currents beyond our understanding and control.  We must remember and honor where we came from, the place of dark, tidal passion and sacred knowledge, a place that inspires both fear and wonder, a place that began in the women that came before us.  May we not forget it, or them.

I am that loved

As usual, Kelly made me cry.  She also made me smile, nod vigorously in agreement, and think furious.  Her post, mothersisterdaughterfriend: woman touched something deep inside of me.  She writes about the emotional post-birth weeks when she fell in love with her daughter – and when she fell in love with her mother.

When I saw my beloved, magnificent, miracle-baby in my mother’s arms, the fraught kaleidoscope of mother-daugther angst cleared to reveal a truth that levelled me. The way I overwhelmingly love, adore, fear, and worship my daughter, how I know that she is the best of me and more, is the way my mother loves me….I am that loved.

I am that loved.

I remember those weeks, and I know intimately that fraught kaleidoscope.  I remember vividly a day in the first couple of weeks of Grace’s life, when Mum came over to stay with her so that I could try to sleep.  I lay in my bed, my daughter asleep on the floor above me and my mother in the kitchen cooking on the floor below me.  I was flanked by my own matrilineage, and I could not sleep for the pounding in my chest.  I felt the generations collapsing and expanding at the same time, felt a visceral awareness of the women from whom I came and of the girl I’d just birthed.

I’ve always been fascinated by mothers and daughters.  I am one of two girls.  I wrote my thesis in college on the mother-daughter relationship (and wrote in my acknowledgements to my mother: “Especially thanks to you, Mum, for having the patience to allow me to study so intently this relationship.  The examined bond grows every stronger”).  The preface to my thesis, which was titled “the main thing” (for Anne Sexton’s line “a woman is her mother.  That’s the main thing”) was Margaret Atwood’s stunning poem, Spelling, about a mother watching a daughter play with words.

I fully admit that I was afraid the universe was going to respond to my unambiguous passion by giving me only boys.  But then I had Grace.  My grace.

And I am immensely blessed to be witnessing the flowering of my daughter’s relationship with my mother.  Is there any greater privilege?  I suspect not.  I won’t lie: there are absolutely issues and deep bruises and hurts in my own maternal relationship that are triggered now that I’m a mother myself.  No question.  But there are also reservoirs of love that I did not realize I had, accessed through the extraordinary experience of watching my mother and my daughter together.

My senior year in college I wrote my thesis in a tiny study carrel in Firestone Library.  The bulletin board front wall of the carrel was full of tacked-up index cards filled with quotations about mothers and daughters, creativity and procreativity, the dense and complicated morass in which I now tread.  I could never have imagined how animate all of these black-and-white words would become for me, how viscerally I would live the ideas and concepts I blithely dissected in my thesis.  Kelly’s post reminded me of this, in particular her stunning evocation of the moment we realize, staring, wild with love, at our own baby that our mothers loved us like that.  This sublime experience folds us in love and makes us look at our own mothers (if we are fortunate enough to have them near, and I know there are those who are not) with a renewed intimacy and intensity.

Anne Sexton, in a letter to her daughter Linda, writes “Talk to my poems, and talk to your heart – I’m in both.”   Reading that, my eyes fill with tears, overwhelmed at the image of my 21 year old self quoting that, understanding only half of the equation.  I knew well the daughter role, but I had no idea of the richness and ambiguity that motherhood would bring.  I know now what I did not know then: I exist in my daughter’s heart (and in my son’s), and my mother exists in mine.  Put another way, as Kelly says, I now know how I am loved.

missing my life

Last week I was away from home.  I was physically away, in a different city, but I was also really, really emotionally away.  I was totally released from my day-to-day domestic responsibilities and completely consumed by my professional ones.  In this state, untethered from the ordinary life in which I’m usually so entirely rooted, I realized how intensely I love it.

With the crystalline perspective of distance, I fell in love, all over again, with my own life.   The practice and the poem.  I missed the poem and I even missed the practice.  I am immensely grateful for this reminder of how blessed and fortunate I am, for this reminder, again, to stop and look and breathe and be there for my own life.

I missed picking a sleeping Whit up before I go to bed and taking him to the bathroom, his head heavy on my shoulder, his feet dangling against my knees.  He is always soft with sleep and I have to prop him up in front of the toilet.  When I carry him back to bed, even though he’s surely more awake, he curls against me just as tightly, and often keeps his hands wrapped around my neck an extra moment or two after I put him back down into his bottom bunk.

I missed the morning chatter that Grace and Whit share as we drive to school and then hurry, cold, into the lobby of the Morse Building.  I’m keenly aware that Whit only has one more year in the Morse Building and then these cozy mornings in the lobby with the polka-dot rug and old teachers who envelop my children in enormous hugs are over.  Grace and Whit like to sit and talk to me for a few minutes before I take them to their respective before-school destinations.

I missed rubbing Grace’s back as she says her prayers, her voice slowing as she drifts towards sleep.  My fingers trace her spine, remembering the string of pearls, bright on the fuzzy ultrasound screen, so many years ago.  Grace’s prayers are full of thanks.  She always thanks the universe and her family and mentions her parents’ hard work and our tremendous good fortune.  I know she means these things and I fiercely hope she always knows them.

I missed talking to one of my closest friends every day for a catchup on all the minutiae of a life, my husband’s lattes, getting the mail out of my brass mailbox in the morning, and my familiar running route around my neighborhood.

I missed the strangely soothing inside-outing of pajama pants as I fold laundry, the smoothing of bright robot-covered underpants, the folding of tee-shirts, each piece of clothing full of memories.  I missed the flowers I always have on my kitchen island.  I  missed my long-term toxic beverage, Diet Coke (my office is a Diet Pepsi office!), and my brand-new beverage, morning green smoothies.

It’s so good to be reminded of my immense good fortune, to have my gaze yanked back to the abundance that overflows right here, right now.  I don’t want to wait for bad news, or disaster, to realize what I have now; none of us should.  Say thank you today for every single ordinary day.  As Katrina says, each one is a gift.

The heartbreak that hovers

For so many years I tried to outrun my sadness and my sensitivity, but no matter how fast I went it trailed behind me, stuttering on the pavement like the cans tied behind a bride and groom’s getaway car.  No matter how fast I ran I could not evade it, this lingering sadness, this strange but overwhelming sense of loss that infused even the most ordinary moments, this heartbreak that hovered around the edges of my life.

In the last few years that heartbreak has caught up to meMy deepest wound finally opened wide enough that I could no longer ignore it.  I’ve been slowly circling the black hole at the center of my life, drawn inexorably towards it even as I fear the heartbreak that lives there.  That black hole is the brutal truth that it all passes, that every single moment is gone even as I live it, that no matter how hard I try, how fiercely, white-knuckled, I cling, I cannot hold onto my life.

I’m certain it was my children who forced me to turn and to stare into the sun of my life’s blinding, but evanescent right now.  To fall into the place where the heart of my life beats.  Paradoxically, they demonstrated both the unavoidable drumbeat march of time and the critical importance of being still in each individual moment.  They inhabited the now with an impossible-to-ignore stubbornness, yet they also marked time’s passage in a visceral way.  Unaware of this contradiction, they tugged me to the place I’d always shied away from.  They taught me that being present is both the most uncomfortable thing I’ve ever done and the only way to truly live my life.

In the strange, out-of-regular-life lacuna that the last week has been, I spent some time thinking about how the way that I interact with the world has fundamentally changed.  It’s no insight to observe that a marked rupture from status quo can jolt us into reflection and a new perspective on that normalcy.  I realize, not for the first time, but again, that I’ve stopped – for the most part – those hiding-from-my-life behaviors.  Instead, I now live in a permanent state of broken-heartedness.  The savage and beautiful reality of life’s impermanence colors every moment of my life.

Sometimes I am jealous of those who are less porous, who can walk through life without being so frequently brought to their knees by the pain and brilliance of it.  My every conscious moment is filtered through this prism of my piercing awareness of how fleeting it is.  In the last few years I’ve become almost painfully aware of every detail around me.  The sight of a half moon, one edge ragged, foggy, in the morning sky makes my breath catch, a cascade of emotions tinkling inside me like windchimes: the physical beauty of this planet, the sky’s being near and yet far, the concrete evidence of time’s passage in imperfect not-wholeness of the moon.  I suspect this, the way I am so attuned to the most mundane of details, is either an attempt to fully inhabit each moment or an effort to freeze it, like an insect in amber, but I don’t know which.

And what I realize, again, fiercely, is that this is how I want to live:  in the right now of my life with a broken heart.  I want this, in full knowledge of the pain it carries, far more than I want to keep hiding from my life.  This is a decision I make not in one grandiose declaration, but every single day, every single minute.  It’s not even, really, a decision so much as following my intuition about the way I want to inhabit the world, and it lives in where I choose to place my attention.