The Help Haiti Blog Challenge

My dearly beloved Kelly Diels twittered me last night and asked me to participate in her Help Haiti Blog Challenge.  She asks that we all think about how we can contribute, whether it is a service or a good or our time.  And yes, yes, yes I say.

Last night Matt informed me that he had been online giving a family donation to his firm’s fund for Haiti (which they match!  Yay!) and Grace asked him what he was doing.  He explained to her what happened and she apparently turned and ran downstairs in silence.  She returned holding a crumpled dollar bill and gave it to him, saying she wanted to give her own money too.  This story, told to me when I got home, made me cry.  I am so fiercely proud of this behavior.  Grace has exactly $11 to her name ($10 now) and each dollar has been earned the hard way (usually by losing teeth).  I find the fact that, without hesitation, she wanted to share some of her treasured piggy bank store, overwhelmingly poignant.  I’m actually not sure I’ve ever been so proud.

I am going to follow in the footsteps of my friend Aidan on this one.  Pursuing an idea she and I have talked about in other ways, I will donate $2 for every comment left on this blog between now and Monday morning, January 18th. Please come comment.  Please.  I will donate to Partners in Health, whose story so moved me in Tracy Kidder’s Mountains Beyond Mountains.

My favorite line from that book seems an apt way to close this plea:

The idea that some lives matter less than others is at the root of all that is wrong with the world.

They don’t.  Those people are our people.  As Gracie told me this morning, chin trembling, she could imagine being hurt or without a house or without her mother.  And she wanted to help the children who wake up that way this morning.  And so do I.  Please help.

The godfamily. And red wine.

This picture is, I’m guessing, the summer of 1977 or 1978. It is two of my godsisters, Acey and Alexandra, and me. Don’t ask me why I am naked. Or why a bowl was used to cut my hair. Or why we are apparently playing with a can of kerosene. Ah, the 70s!

Two of my mother’s oldest and dearest friends are my godmothers. The three of them shared the unique and formative years of weddings and babies, and their friendship endures today. All three women had a daughter first, and all born within about 18 months of each other. My mother is godmother to each of them, their mothers are my godmothers. Etc. This is The Godfamily (I cannot say this without smiling, and thinking of Francis Ford Coppola films, Marlon Brando, heavy-handed music, and stretch Lincoln town cars).

Much of the godfamily gathered today to christen Acey’s sister’s daughter, Sally. Acey, Alexandra, and I all had our own children in the church: Alexandra had all three of hers, I had both of mine, and Acey had her older child, a daughter who is exactly a year older than Gracie (8). It is very rare for us all to be together – I actually can’t remember the last time it happened. Our visit was too brief, of course, and we managed to miss taking a picture of the three babies above all grown up. Oops.

Still, it was magic. There was a moment when I knelt at the altar rail for communion, with Grace on my right and Acey on my left. I looked over to the left and saw Acey and Alexandra, and saw all of our children clustered around us. I was overwhelmed with awareness of history and of the ways that families echo like Jacob’s Ladders through time, folding over on themselves, creating, with an awkward, slow rhythm, a long and connected line. I felt keenly the bonds that endure through the years even with too little time and energy paid to them. I saw in my mind’s eye the pictures of the three of us as toddlers, playing on the beach on Captiva with our beautiful, bikini-ed mothers, in the faded 1970s snapshots I have seen so many times.

I don’t talk to these women every day, but they will always be a fundamental part of me and of my terroir. They and their mothers played an essential role in my childhood and they are woven into the very infrastructure of who I am. I am so fortunate that they are still a part of my life, though I do feel sad that our children won’t grow up knowing each other well because we live so far apart.

And on to the comedy portion of this post.

I was actually very proud of Grace and Whit during church. With a couple of coloring books and a couple of ziploc baggies of Booty (veggie for G, pirate for W), they entertained themselves. They even watched some of the activity at the altar. Grace and Isabelle (her second-generation godsister) squeezed their way to the font for the actual baptism, watching closely. Whit chose instead to stay with me in the pew and murmur, over and over, “baby go dunk in the water!” He went to a christening with me when he was just beginning to speak, and on the way home he proclaimed that “baby go dunk in the water” This has become an oft-repeated sentence in our house, and he grinned slyly at me as he repeated it, reminding me that for all of his blithe casualness he is utterly aware of how he is being perceived, and of how much he loves to be a clown.

After the baptism and a rowdy Cantabridgian peace, we returned to the classic BCP communion service. The minister stood at the altar, holding the bread in one hand and the silver chalice in the other. He paused in saying the words that I know by heart, and the entire church stood still, silent. My son chose this moment to say, at full volume, “Gracie! Are you going to drink the red wine?”

There was audible laughter. I guess my children are incapable of communion without hilarity.

Questions

(visual aid to jar your memory)

Okay, so maybe my passive, indirect post about how I would like to know the answers to these questions but was ashamed to ask wasn’t the most effective. It definitely was pretty classic Lindsey. But I’m trying to push past that. I want to light the fire, with Danielle and more broadly. And I need your help.

Those of you who know me well out there (and I think there are a few of you), I’d be ever so incredibly grateful if you would answer these questions for me. Quickly. I don’t want to be a burden. One of you sent me answers. A most unexpected person, whose answers were thoughtful and reminded me again that getting to know someone through their writing and through the ether can create a real relationship. Thank you, you single answerer of my questions. Please know how very much that meant to me.

Here are the questions. And I am absolutely, stone-cold mortified to publish this post. Really, really scared. Embarassed and ashamed at being so seemingly self-absorbed. I’m sorry.

: What do you think is my greatest strength?
: How would you describe my style?
: What do you think I should let go of?
: When do you feel that I am at my best?
: What do you wish I were less of, for my sake?
: When have you seen me looking my most fabulous?
: What do you think I could give myself more credit for or celebrate more?

The Front Row

Perfection Wasted, by John Updike

And another regrettable thing about death
is the ceasing of your own brand of magic,
which took a whole life to develop and market –
the quips, the witticisms, the slant
adjusted to a few, those loved ones nearest
the lip of the stage, their soft faces blanched
in the footlight glow, their laughter close to tears,
their tears confused with their diamond earrings,
their warm pooled breath in and out with your heartbeat,
their response and your performance twinned.
The jokes over the phone. The memories
packed in the rapid-access file.
The whole act.Who will do it again? That’s it: no one;
imitators and descendants aren’t the same.

I have long loved this poem by John Updike. Like all poetry that really moves me, it hits different chords on different days. Often I’ve read it and thought about “your own brand of magic,” wondering and doubting that I have any of that, and thinking through those whose magic dazzles me regularly or sporadically.

Today I’m thinking about those in the front row. The people who are dearest, those whose tears I know and whose warm breath moves, sometimes, in rhythm with my heart. Those in the front row are a mixed group, and very small in number. I love the image of adjusting our “slant” to a few. Yes, in a negative interpretation this is molding ourselves to others’ expectations in a way that compromises our truest selves. But I think there is another way to think about it: that is to consider that those we love dearly become a part of us, their input and reflections and advice and feedback gradually shape us over time, and as we incorporate tiny shards of them we also become more fully ourselves.

To take Updike’s metaphor further (though I don’t actually resonate with the notion of people watching me on a stage – that is certainly not how I want my life to be) it is those in the front row who can see beneath the stage makeup. Those in the front row can see when the actors hesistate over a forgotten line, or when they take a wrong step and are cued back to the right spot by a look in the other actor’s eyes. As familiar as those in the front row are, so am I familiar to them. And as uncomfortable as that familiarity may sometimes be, it is, in the end, the stuff of real life and the way to being truly seen.

Who is in your front row? Have you told them how grateful you are for them recently?

The thoughtfulness of friends

My friend Kara wrote the most incredibly thoughtful email to me after reading my post about Grace’s anxiety and loneliness. She makes so many points that made me think that I want to include excerpts here.

but your blog about Gracie and her birthday party makes my heart ache–I remember being that age having private heartaches that overwhelmed my whole world that got so much better after telling my mom.

How can you tell a child that age–when all they want to do is blend in–how special she is and that these pains now are growing pains/a rite of passage and that she should just stay her own unique self bc all the adults in her life see her for who she is and love her for it? And that the things that make life so hard for her right now ultimately may stand her in good stead as an adult?


This is so exactly how I see Grace right now. She wants so clearly to be part of the group, and I know she will eventually find her “home,” whatever it looks like, but I also actively celebrate the things about her that make her a little different right now. I personally spent so long fitting in that I never really noticed that it didn’t actually quite fit – that’s one of the things that I’m struggling with now. So I honor Grace’s inability or unwillingness to mold herself.

Since the post she has told me that one friend, a boy in her class, likes to swing as much as she does. She tells me that they talk on the swings, and this is clearly very reassuring to me. I asked her tonight what they talk about and she thought for a minute before shrugging and saying, “Well, we don’t really talk. We just kind of swing together.” I was utterly charmed by this image, and felt a new wave of certainty that my independent and thoughtful child will eventually find friends with complimentary rhythms in their spirits, friends whose desires for closeness and space echo her own.

I ate lunch by myself on the back stairwell of my first day of Lawrenceville bc I was so intimidated.

This made me smile a faint smile, both of knowing exactly how that feels, and of being so touched that Kara would reveal such a detail. It reminded me of Katherine Center’s moving blog post about how stories can save us. Katherine says many wise things, but the one that I am thinking of right now is that when her son skins his knee she doesn’t tell him about how blood clots. She tells him about how she skinned her knee once. And with this single detail, as with my friends, the other person’s loneliness is swept far away.

I guess the lesson G teaches is to have faith that there’s always a reason for what can seem like bratty behavior–child or adult

This is Kara’s third point that made me nod. Yes. This is hard to remember, isn’t it? But we would all be happier people, I think, if we reminded ourselves that whenever anyone acts badly they are probably demonstrating hurt or fear or another genuine emotion. I don’t think I’m very good at this yet, often because I get caught in my own emotional maelstrom in reaction to the other person, but Kara’s message is a good prompt and reminder.

Thank you, dear one.