Hourglass

I was thrilled to read an early copy of Dani Shapiro’s Hourglass: Time, Memory, Marriage, which was also an easy choice for my most-anticipated book of 2017 on Great New Books. I’ve read all of Dani’s books, and I love her fiction and her memoir both.  Hourglass, in both tone and structure, reminded me most of her most recent books (and my favorites), Devotion and Still Writing.  It is a series of small pieces, both memories and essay-style reflections, delivered not in chronological order but in a way that makes seamless sense and in which the ways in which the stories jostle up against each other means as much as the content of each.

Hourglass, for me, is most fundamentally about what memory really means.  Dani explores this topic – which is central to my life – in multiple arenas: her own life, her marriage, with others she knows.  The progression of her husband’s mother’s Alzheimer’s is a salient and powerful reference point, and serves as another illustration that time and memory can evolve in ways that are neither linear nor easy.

Like all of Dani’s books, I underlined copiously and wrote in the margins of Hourglass as I read.  She refers to other quotes, literary works, and passages, which is something I love in other books, because it makes clear that the single volume I’m reading is a part of a larger, longer, broader conversation.  Which Hourglass (and all of Dani’s works) is.  In particular, Dani refers to Wendell Berry’s In the Country of Marriage, a poem I have shared here before and return to again and again.  Matt and I celebrated our 16th anniversary last fall, and I relate intensely to how Dani describes the landscape and vocabulary of long(ish – I realize 16 years, while it feels like an eternity, is not yet truly long) marriage.  Towards the end, she writes,

But I can no longer say to M. that we’re just beginning.  Let everything happen to you: beauty and terror.  That solid yet light thing – our journey – is no longer new.  He identified my mother’s body. We took turns holding our seizing child. We have watched his mother disappear in plain sight. We have raised Jacob together. We know each other in a way that young couple couldn’t have fathomed. Our shared vocabulary – our language – will die with us. We are the treasure itself: fathoms deep, in the world we have made and made again.

Dani’s reflections on marriage were reassuring and resonant to me.  She returns to a phrase M. said long ago, “I’ll take care of it,” unpacking the various ways that feels true and not true over the years.  This triggered a memory for me, and that very action is at the core of why Hourglass is so powerful – isn’t that how life works?  We hear or experience something that sets off a recollection, and the collision between reality and the past enriches and informs how we live our daily lives.  This is the process that Dani so beautifully captures in Hourglass.  What I recalled, when M. said he’d take care of it (whatever it is), is a conversation with my father about the Dixie Chick’s lyric that I wanted someone to “keep the world at bay” for me.  Of course that is impossible, and my reading of Hourglass, and of Dani’s return to M.’s comment, tells us that in fact only we can “take care of” life’s true tasks for ourselves.

The scenes accrue in Hourglass, and the reader skips back and forth in time, witnessing Dani’s mother-in-law’s dementia and the growing of Dani and M’s son.  The pieces add up to nothing less than an adult life, and while this beautiful, lyrical book has many messages one of my favorite and the most powerful is the way that we are all the selves we’ve ever been, and we carry our pasts with us as we walk through the world.

I understand that I am comprised of many selves that make up a single chorus.  To listen to the music this chorus makes, to recognize it as music, as something noble, varied, patterned, beautiful – that is the work of a lifetime.

More than anything else, Dani Shapiro’s writing makes me feel less alone in this life.  She brings to life that great C.S. Lewis quote, “we read to know we are not alone.” I’ve told her this many times, and Hourglass is no exception.

There is no other life than this. You would not have stumbled into the vastly imperfect, beautiful, impossible present.

I read these sentences and blinked away tears.  Yes.  How is it possible that Dani is speaking directly to me?  Of course, that reaction is a testament to her extraordinary skill: a great many readers feel this way, and they should.  Dani touches something universal in Hourglass, in her description of time’s elasticity and the ways that the past lives on in the present. I loved this book.  I know you will too.

the same materials to work with

It will always be confusing to think that that which is terrible and that which is beautiful have the same materials to work with: the brick and mortar and earth and stars of our immediate world. There is that which can kill us, and that which will save us, and we live among them, struggling to discern our way through. And it is terrifying, my love. It has never stopped being terrifying.

– Stephanie Saldana, A Country Between

The last month, in observations and quotes

It’s been an eventful month.  I’ll write more about what happened, but March was full. Grace, Whit, and I went to Rome (see above), Grace and Whit both decided to leave their current school for new frontiers, Matt settled into his new professional situation, I did some writing, I did some reading. I thought about this blog a lot.  There were two quotes that kept running through my head.

The first: practice, and learning to write.

The mere habit of writing, of constantly keeping at it, of never giving up, ultimately teaches you how to write.

-Gabriel Fielding

It is this blog, and the practice of showing up here day after day, that has taught me to write. I still feel uncomfortable calling myself a writer, but I’m totally ready to say I write. I do. And I learned a lot of what I know here (the rest I learned from a handful of teachers, whom I met through this blog).  The act of doing has taught me a tremendous amount.  For someone who sometimes lives in her head, there’s a lesson in this. That’s a big part of why I personally don’t want to stop. And why I won’t.

From now on, I will write here twice a week, Tuesdays and Thursdays.  Thursdays will be, mostly, quotes.  That’s definitely a new, slower pace, but I think it feels right right now.

The second: new horizons.

“And suddenly you know: It’s time to start something new and trust the magic of beginnings.”

— Meister Eckhart

This is a time of tremendous change for our family.  Both Grace and Whit are headed to new schools in the fall. The fall of 2016 was busy in part because they were both applying out, and we heard decisions, revisited, and made decisions in the last month. This next step is an inexorable step towards the future and a reminder that both children are moving away from me in ways big and small but, unquestionably, permanent. One thing I’ve learned is that apparently-contradictory emotions can coexist within me, even in a single moment, and I’m living that now.  I am delighted by and sorrowful about the changes at the same time.

Matt and I are both in new professional situations.  2017 has been eventful so far and while all the news is good, there is a definite sensation of the ground shifting beneath our feet that is as unsettling as it is exciting. I’m trying to trust in the magic that these beginnings represent, but that’s never been easy for me.

I am clear that it is the right time for all of these new developments, but I’ve never liked change.  The truth is, I feel strapped into life’s roller coaster in a way that makes me fearful. It is beginning to look like spring out the window (photo below was taken at 7:05pm, 4/2/17). I’m trying not to let the reality of what’s coming cloud what is right now. This is not a new challenge for me, but it is without a doubt the defining one of the next several months. Wish me luck. Here we go.