Bleeding into mystery

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A few weeks ago, I took Whit to his nine year pediatrician appointment.  As we waited to go in, I thought about the fact that it had been two full years since I wrote close to the surface after his seven year appointment.  Two full years and two minutes, simultaneously.

Whit and his pediatrician had a lengthy discussion about physics, the universe, how many dimensions there really are, relativity, and the potential for a quantum computer.  Incidentally, I love that Whit’s pediatrician casually quotes Richard Feynman in appointments with nine year olds.  This explains a lot of why Whit (who recently heard mention of Einstein and said, “I know Einstein!  He’s my favorite!”) so adores Dr. E.

I listened to them talking, and then watched as Dr. E listened to Whit’s invisible but extraordinary heart, and thought once again of the ways that at every edge science bleeds into mystery.  In the world of the intellect, both the tiniest things – electrons, spinning one way and the other and communicating mysteriously across light years – and the largest ones – the existence of multiple universes – bump up against that which we cannot fully grasp.

My father is a physicist who is fascinated with poetry, art, and Europe’s great cathedrals.  He understands this ineffable border, the slippage between logic and magic, the imperceptible and always-shifting line between what we can know and what we can’t grasp.  As I’ve written before, my father’s unshakeable faith in the rational mind is matched by his profound wonder at the power of the ineffable.  Who I am is indelibly shaped by having grown up in the space between those things.

At the outmost limits of science, where the world and its phenomena can be understood and categorized with equations and with right and wrong answers, there flits the existence of something less distinct, barely discernible. The finite and the infinite are not as distinct as we might think, and the way they bleed together enriches them both.

Whit reminds me of my father in many ways, most of all in the way he understands and esteems equally concrete math and science concepts and the most intangible notions, of memory and love and existence.  That he relates to the former is easily demonstrated by his fascination with the periodic table or his comfort with his math homework.  It is harder to explain how I know the latter to be true, but I do: now and then he will say or do something that evinces to me his familiarity with the shades-of-gray territory of the unknown that I myself walk so frequently.

Whit and I left the pediatrician’s office and walked back to the car.  He held my hand.  Even his hand, as solid as anything I know in the world, gripping mine back, contains that which is known and that which is not.  Blood beating through veins, bones, cartilage, and chewed fingernails, but also the pulse of life itself, the ultimate mystery.

 

Dedications

I love book dedications.  They are always the first thing I read in a book.  One of the kindest things anyone has ever said to me is that I taught that person to always read the dedication in a book.  This was, naturally, written inside the front cover of a book that was a gift (a book of Andre Dubus stories).

Some of my favorite dedications were between Louise Erdrich and Michael Dorris. Of course we know now that their story ended in pain, but the particular texture and intensity of their love affair is reflected in the dedications of their books. For some reason they’ve always really captured my imagination.

From Louise to Michael:
To Michael
U R Lucky 4 Me
(The Bingo Palace – the book from which the quote that names this blog is taken)

To Michael,
Complice in every word,
Essential as air.
(The Beet Queen)

Michael,
The story comes up different every time and has no ending but always begins with you.
(Tracks)

From Michael to Louise:
For Louise,
who found the song and gave me voice.
(Cloud Chamber)

For Louise,
Companion through every page, through every day. Compeer.
(Yellow Raft in Blue Water)

I love other dedications, like Fitzgerald’s simple and ineffably moving “Once again to Zelda” in The Great Gatsby.

Do you read dedications?  Who would you dedicate a book to?

to call forth its treasures

“If your daily life seems of no account, don’t blame it; blame yourself that you are not poet enough to call forth its treasures.”  ~ Rilke

Thank you to my friend Katrina Kenison, on whose beautiful blog I first encountered this perfect sentence.

Carsickness

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For as long as I can remember, I’ve gotten carsick.  Quickly and very.  I may have mentioned the week-long safari Matt and I went on the summer after we met?  By lunch on the first day I was throwing up behind the Jeep.  I spent a week nauseous and vomiting all over Kenya.  It was very romantic.  I’m lucky he stuck around, frankly.

I very rarely get seasick, and I am always fine on airplanes and trains.  But, oh, cars.  My nausea is immediate and often powerful.  I’ve been wondering what this carsickness is about, and what it can teach me.

Is it another manifestation of my need for control?  Because if I am driving I’m fine.  It’s true that I’m an irritating passenger, with opinions about how and where and when to drive (“that’s a lot of wiper,” said under my breath when I deem Matt as having too aggressively paced the windshield wipers for a drizzle, is one of the comments I’m roundly mocked for).  So maybe it’s about not being in control, and that literally making me sick.  I’m not sure, though.

Maybe it’s connected to how I have always disliked rollercoasters.  The truth is that I have slowly been getting over my fear of rollercoasters, mostly because I’ve started riding them with Grace and Whit.  Of course we’re talking about the rollercoasters at Story Lane, or other pretty tame rides.  I’m still not comfortable on any kind of real rollercoaster.

A few years ago, when we were at Disney with the children, Matt goaded me into going on Rockin’ Roller Coaster with him at Hollywood Studios.  I was so tired of being mocked that I agreed to try it.  We got into the car, me fighting a wave of panic, and I asked why we had a harness over our shoulders.  Oh, no reason, he said dismissively.

That ride was among the most terrifying few minutes of my life.  As the ride came to a screeching finish, Matt looked at me and burst out laughing because, as he said between guffaws, I was literally green.

Perhaps, as I noted a couple of years ago, the swooping up-and-down movement along the tracks is simply too close to my own internal topography, which is already a kind of roller coaster.  I climb to outrageous joy and plummet to tearful heartache every single day.  Hell, I do that every hour.  Just inside my own head and heart.  Maybe it’s too overwhelming to also have my body do this.

Or maybe my propensity to get carsick is simply the universe pushing me to be still.  The surest way to get sick, for me, is to distract myself.  If I read, if I look at my iPhone, if I turn around and talk to the kids in the back seat, even if I engage too much with the radio: boom.  But my only chance at not being nauseous is to sit still, look out the window, and pay attention to what’s outside.

I’m not sure what the root cause of my carsickness is.  Maybe it’s just the way my inner ear is constructed.  Or maybe it’s some mysterious amalgam of all of these factors, whose precise components can’t be discerned.  I don’t know.  But I do know that for now, I’ll turn off the music and look out the window and watch the horizon, and hope that that is good enough.

 

An elegy to what was and a love letter to what is.

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I have never been particularly maternal, I never babysat, and I never daydreamed of the day I would have my own children. I was as surprised as anyone, then, when I realized that motherhood was the love affair of my life, the subject that found me, the role that made everything else in my life make (at least some) sense.  After Grace and I made it through months of colic (hers but also, I’m pretty sure, mine) and a dark year, we entered a period that I think of now as what Laura Ingalls Wilder called the happy golden years.

But lately, I am in a new season of motherhood.  At first there were isolated events, rolled eyes and crossed arms, flares of aggravation I did not understand.   These moments, each on their own as small as a speck of light in a wide night sky, came together into a constellation that was eventually impossible to ignore.  Something is changing.  Something is different.

For a long time I worried that my days with Grace at home would never end.  I waded through her dark and sleepless first months for what felt like an eternity.  Then, truthfully, I rejoiced that that time had ended.  We dove into the happy hours of early childhood, celebrating all the things we could do together – swimming, tennis, reading, adventures. Grace (and her brother) was my favorite companion and I was hers.  And now, suddenly, the end of something is undeniably in sight.  It reminds me our annual summer trip to the White Mountains: we hike for what seems like forever in the trees and are always startled when, all at once, the summit comes into view.

Grace’s years at home with me are well over halfway done.  The time of me being her favorite person, of my company always being her first choice, are surely almost completely over.  I am so keenly aware of how numbered these days are that I can barely think of anything else.  It is not an exaggeration to say that my every experience is filtered through the prism of time’s passage.

I have said goodbye to sippy cups and diapers and sleep schedules and baby food and cribs and high chairs and even, mostly, to carseats.  I have welcomed yoga pants that I sometimes mistake for my own when I’m folding laundry, a riot of peace sign patterned sheets and towels, a closed bedroom door, and handwritten postcards home from sleep-away camp.

I don’t worry about SIDS anymore, or about whether I’m producing enough milk, or about putting a baby to bed slightly awake so she doesn’t get used to falling asleep in my arms.  Instead I worry about Facebook, and friends who have cell phones, and when it’s ok to get her ears pierced, and the insidious approach of eating disorders and body image issues.

The predominant emotion of this time, as Grace embarks upon the vital transition from child to young adult and to an autonomous and independent sense of self, is wonder.  Wonder upon wonder, so many layers I have lost count: there is awe, fear, and astonishment, and also an endless list of questions.  I gaze at my daughter, coltishly tall, lean, all angles and long planes, and wonder where the last 10 years went.  It is not hard to close my eyes and imagine that she is still the rotund baby or chubby toddler that she was just moments ago.  At the same time I can see the young woman she is rapidly becoming in her mahogany eyes.  And there are so many things I wonder about: separation, mood swings, puberty, boys, technology, school pressures, body image, and more.

I’m reminded now and then of the fears and concerns that flummoxed me when Grace was an infant.  The world shifted more then, when I brought home a crying newborn, but this transition feels second only to that.  Then as now, I’m guided by only two things: love and instinct.

Overnight we’ve gone from a world where a never-ending ribbon of days unfurled in front of us, so many they overwhelmed me, to one where every moment feels finite, numbered, and, as a result, almost unbearably precious.  It feels like as soon as I figured out how to truly love being a mother with children at home, it’s almost over.  More and more, I feel the tension between holding on and letting go.  I want to help Grace find her footing in the uncertain terrain of adolescence, but I never expected it to be so bittersweet.

And all I know what to do as we move into this new season is to pay attention, to look and listen and write it down.  Everything I write, everything I live, an elegy to what was and a love letter to what is.

This post originally appeared on the Huffington Post.