Les artistes

The other night, while I was writing my reflections on Devotion, Grace wandered into my office. She asked for a pen and some paper and sat down on the floor by my chair. I didn’t know what she was doing until she asked me the name of a flower that was blue (I offered “hydrangea” – not, I realize now, the most poetic of words). When she was finished she looked at me, eyes luminous with pride, and announced she had written a poem. I admit I’m impressed.

Earlier this week, Whit and a babysitter took an outing on the subway to a local art supply shop. They spent the afternoon doing some painting. When I walked in the door he rushed at me, holding this canvas in his hand and excitedly announcing that he had painted it for me. I looked up at the babysitter in surprise, looking for her admission that she had helped. No, she said, he did it all by himself. I am simply blown away. This looks like Helen Frankenthaler to me, or like Georgia O’Keeffe – two of my very favorite artists. I think this one is destined for framing (a big statement for a woman who throws away about 90% of the avalanche of art that comes in the door).

I guess I am inadvertently running a little artists colony around here.

Whit: wit and wisdom

At least once a week Whit’s teacher finds me at school drop-off- or pick-up to relate the latest story of his hilarity. The one she told me last week was about courage. They had been talking about courage, and what it means, and as you can see above Whit decided that courage is making acquaintances. I am also, as a sideline, totally charmed by this art, complete with spidery “W” signature. I’m not altogether surprised that this was his definition of courage, because for all of his feisty humor and attitude, my son is actually quite shy with strangers and struggles mightily with the eye contact I really think he ought to be making with other people when they speak to him (GRRRR).

Anyway, later that day Whit and his teacher were on some errand in the school building, when they met another adult that Whit did not know. She prompted Whit to say hello and introduce himself, which he did. As they walked back to the classroom, Whit apparently tugged at his teacher’s arm and looked at up her with very serious eyes. “Christina?” he asked, and she nodded. “That took a lot of courage,” he said with a dramatic sigh.

*********

Last week Whit found a safety pin in the kitchen. I don’t know why it was there, but that’s just the kind of mom I am! (see also: falling down stairs, tumbling out of shopping carts, and being bitten by dogs). Anyway, he was playing with it, clearly fascinated, and asked me what this marvelous device was called.

“A safety pin,” I said. He was silent and kept clicking it open and shut. About thirty minutes later we were donning coats, hats, mittens (the joy of the morning routine in the New England winter can’t be overstated) and Whit was still clutching the safety pin.

“Whit, you aren’t taking that to school,” I said to him.

“Why not?”

“Because it’s dangerous.”

“Then why is it called a safety pin?”

Hmmm. Good question, no?

**********

Yesterday morning as we sat at school waiting for the classrooms to open, I had Grace on one side of me and Whit on the other. Absently, I said, “What do you guys want to talk about?”

“Let’s talk about our feelings,” Whit said firmly.

I was impressed. I felt tears prick my eyes. My little sensitive soul. Moments later he was bouncing my foot with his, with increasing vigor, basically kicking my sneaker with his boot.

“Whit! What are you doing?” I asked him.

“What do you feel, Mummy? Do you feel pain?

Ah. Those feelings are the ones he wanted to talk about.

Light and shadow: a triptych

When I ran yesterday I was struck by the vivid difference between the side of the street in the sun and that in the shadow. In the darkness of the shadow, the sidewalks were still covered in a crust of ice with powdery snow on top (ideal ankle-breaking conditions), while the other side of the street was awash in running water. It sounds so obvious but this difference seemed really stark to me. And I thought about how for me, inquiry and writing are like sunshine: in that light, under their direct power, the ice and snow and slippery, sharp things melt away. Their form changes, their power to hurt dissolves. This is, maybe, why I write about and muse on the darker things that bother me: by focusing my attention on them, I can change the form of their matter (though I can’t make the matter disappear altogether).

****

On my sunniest days, I am still the mottled pattern of light through a leafy tree. Even the brightest rays of sunshine are partially occluded by shadows. I love the pattern that these shadows make, and find fascination in their order and disorder, but I realize this is personal taste. Some prefer a more direct beam of light. I myself side with Gerard Manley Hopkins: “Glory be to God for dappled things.” There is contrast and life in the interplay of light and shadow that reminds me of the texture of my spirit.

****

Grace is olive-skinned, dark-haired, with brown eyes just like mine. I can already see that she struggles under some of the same emotional storm clouds that I do. Her light is marbled with shadow, which makes it intimately familiar to me. Whit has skim-milk skin like mine, blond hair, and bright blue eyes. He is a free spirit through and through, he is sunshine without boundaries, he is a splash of bright yellow light against a red barn in the height of summer. Even as I write these characterizations, I am aware of their overly reductive and simplistic nature. Of course my children are more than these caricatures, their personalities each combed through with light and dark in individual, complex ways. But today this is how they seem to me, standing silhouetted against the setting sun of another day, their shadows lengthening behind them.

Five years old

Happy birthday, Whit.

Five years ago today.  It’s such a cliche, but I really can’t believe it.  I promise your letter is coming soon!

I love you.

Good night, Whit

Last night, as I tucked Whit in, the room was heavy with nostalgia. It was dim, his favorite lullabye was playing, and I curled into his bottom bunk, breathing him in as he lay with his back to me. One week from today he turns five, and this awareness is stitched through every moment of every day lately. I can barely bear it. I kept my eyes closed as I felt him turn his head to look at me, and I heard his low giggle, presumably at the unusual delight of seeing me “sleeping” in his bed. The nearness of him, the just-bathed little boy smell, the familiar lullabye music, the nearness of his birthday all swelled into a huge wave of nostalgia and sadness and, predictably, I found myself blinking back tears.

I thought about how recently I wrote about how his “babyhood clings to him” and how that is just not true anymore. I thought about the moment he was born, a moment as clear and crystalline as any I have ever experienced, I thought of the million times he has driven me to yell at him and the million and one times he has made me cry with sweetness. I turned to sit up and felt his hand reach back and grab for me. “Don’t go, Mummy,” he murmured, so I stayed put for another song. Peculiarly, I remembered those last days of pregnancy, when the baby feels so tight in your drum-hard belly that you feel it every movement with an exquisite, painful awareness. My emotion felt that big inside me, almost as though I could not contain it with my physical body.

Finally I forced myself to open my eyes and sit up, and I leaned over Whit, studying his face. My gaze moved slowly down his face, his features unfurling again to me as if brand new: his eyes, so blue even in the darkness, his long eyelashes, his pale skin, and his defined cleft chin, one of the very few tangible things he has inherited from me. He reached up a hand and clasped me behind the neck, smiling, with what struck me as a curious, surprising awareness of the moment. I smiled back at him, “I love you, my little man.” Tears ran down my face and I saw puzzlement wash into his eyes. I smiled again, trying to reassure him that nothing is wrong, and felt relieved when his face softened. “I love you too, Mummy.” He pulled my face down so it was right next to his. I felt his soft cheek against my wet one, and turned to give him a kiss. He clasped his hands behind my neck, holding me to him. “I love you as much as the sky,” I heard him whisper.

Oh, my baby boy. Five years old. There is so much tenderness I am not sure I can stand it.