Keep the world at bay

Photograph taken yesterday evening, walking to dinner with Grace.  The iphone, while valiant in its effort, could not really capture the light on the branches.  It seemed alive, warm, full of promise and the hope of spring.

I love the Dixie Chicks.  One of my favorite of their songs is Easy Silence, and it runs often through my head.  It is doing so today.  The lines that I hear, over and over again, are these:

… I come to find a refuge in the
Easy silence that you make for me
It’s okay when there’s nothing more to say to me
And the peaceful quiet you create for me
And the way you keep the world at bay for me…

I love these lyrics, and these images.  Easy silence.  Peaceful quiet.  World at bay.  Doesn’t that sound divine?  It’s the last line that I come back to.  The desire for someone to keep the world at bay for me.  I know this urge.  I know it on days when I’m feeling like the world is too much for me, too much with me.  Years ago, I shared this quote, and this longing, with my father.  His reaction was immediate: he sort of scoffed and then said, “but wait, you don’t really want that, do you?” in a tone that clearly suggested that there was a right answer, and that answer was NO.

That response made me think about how I’m not supposed to want that.  I’m supposed to want to engage in the world, risk be damned, right?  In the immortal words of Tom Robbins:

All a person can do in this life is gather about him his integrity, his imagination, and his individuality – and with these ever with him, out front and in sharp focus, leap into the dance of experience. (Even Cowgirls Get the Blues)

Right? I know.  I’m supposed to leap.  I’m supposed to be a strong woman, comfortable with the pain of loss and the bruises of hurt.  To be open to every experience.  I’m supposed to want to go to the woods, to live deliberately.  Aren’t I?  Well, sometimes I do.  But sometimes I don’t.

The truth is, though, that hiding, having someone shield me, and keep the world at bay, is sometimes very seductive to consider.  Of course, this is just another way to say “keep safe,” and we know that is something I long for.  And I don’t, truly, want to be removed from life.  Of course not.  But I do want to be safe.  And there are definitely some days when I ache for someone to keep the world, with all of its pain and menace and fear, as well as its blinding beauty, at bay for me.

Hold back! Stop!

Love is necessity, all else about it is up for grabs. Love’s hold is primal, its manifestations baroque, arcane. In the tended garden of the personality or soul, love is the weed of startling loveliness. Flowers of a more acceptable configuration – duty, kindness, citizenship, concern – may take deliberate root and bloom. But love needs no planting, it is sown by the win

We can choose whom we live with, whose hand we shake, whose cheek we kiss, but we cannot choose who in this wide world, out of the millions, we truly love. Our emotions ride air currents whose sources we cannot name. Love is an infinite feeling in a finite container, and so upsets the intellect, frustrates the will.

This is our human problem, one common to parents, sons and daughters, too – how to let go while holding tight, how to simultaneously cherish the closeness and intricacy of the bond while at the same time letting out the raveling string, the red yarn that ties our hearts.

Laughter is our consolation prize for consciousness.

My life is like that – I don’t stop myself from going into the feeling, the emotion that pulls like gravity. Surely there are gentler courses, switchbacks, but for some reason I can’t bring myself to take them.

Hold back! Stop! I panic, unprepared for change, but it’s too late … I cannot gather back one moment, only marvel at what comes next.

All from The Blue Jay’s Dance, Louise Erdrich

The Weary Kind

This song is playing on repeat today. In my house and, even when I’m not here, in my head. Ryan Bingham’s voice is haunting to me, as are the lyrics. I guess I feel weary. And the sense of somewhere not feeling like home anymore feels familiar. It’s been a long week and I’m feeling that familiar longing to be in a place where I can just curl up and be safe. One of those days when being me just feels a little overwhelming. I know it will pass. But this song: listen to it. Incredibly moving.

A complete overcast, then a blaze of light

The sky tonight reminded me of a quote I love:

Openings come quickly sometimes, like blue space in running clouds. A complete overcast, then a blaze of light. (Tennesse Williams)

The sky from this picture actually changed and became almost all those dove gray clouds, but they were moving fast and occasionally showing a flash of luminescence, the kind of deep pink-orange that I associate with the insides of some seashells. The sky made me feel hopeful, for the first time in a long bleak day. And I thought about how openings – beginnings, surprises, love, joys – come quickly and surprise us sometimes. About how days that seem all fog can be lit, suddenly, incandescently – and then just as quickly return to impenetrable gray.

It is my nature to try to understand the source of these openings – if I can build a structure around why and when they come, perhaps they will come more often. At least this is how the logic of my flawed little mind works: forcing an order allows for control. But the truth is that these episodes – the stunning recognition of truth in a piece of writing, the sleepy kiss of a child, the awareness of something beyond the clouds – are meaningful because of, not in spite of, their capriciousness and whimsy. Really, the pink clouds that made me stop in my tracks behind the wheel today were the universe shaking a sheet of foil in my face, startling me into awareness with its reflected brightness, and saying: here. now.

Perhaps, then, there is nothing to do but to keep my eyes open. Even for me, who lives with her teeth clenched and her hands gripping the wheel so hard that if she had fingernails they’d be digging into my palms (but I’ve chewed all the nails off, conveniently avoiding this little discomfort), even for me, the skies blaze with light now and then. The stunning lambency of these moments – whether they be a radiant sky or the authentic embrace of a friend or the exquisite beauty of an ordinary moment with a child – breaks right through my carefully-crafted brick wall of defenses, and says: this is all that matters. This. This feeling, this buoyancy of the spirit. This. Here. Now.

The obscurity of an order

Light the first light of evening, as in a room,
In which we rest, and for small reason think
The world imagined is the ultimate good.

This is, therefore, the intensest rendezvous.
It is in that thought that we collect ourselves,
Out of all the indifferences, into one thing:

Within a single thing, a single shawl,
Wrapped tightly round us, since we are poor, a warmth,
A light, a power, the miraculous influence.

Here, now, we forget each other and ourselves.
We feel the obscurity of an order, a whole,
A knowledge, that which arranged the rendezvous.

Within its vital boundary, in the mind.
We say God and the imagination are one …
How high that highest candle lights the dark.

Out of this same light, out of the central mind,
We make a dwelling in the evening air,
In which being there together is enough.

-Wallace Stevens, The Final Soliloquy of the Interior Paramour