A word after a word after a word is power

Grace tonight told me that they were studying poetry at school, and asked if I still had the poems she had written for me ages ago. I did, I said. As she was getting into bed, she caught a glimpse of this framed poster on her wall, and stared at it for a minute. I wondered what she was thinking. “Is that a poem, Mummy?” she asked me. “Why yes, Grace, it is,” I answered, a smile wrestling with the tears the sprang to my eyes.

A poem I’ve long loved, in fact. A poem that was the epigraph to my college thesis. A poem that I wrote on a poster that I printed for her after she wrote her name for the first time. A poem that’s been hanging, large and framed, on her wall for over 3 years.

I thought of that choice, 14 years ago, to include this poem (with a photograph of Georgia O’Keeffe‘s naked breasts and hand) in my thesis, which was about the mother-daughter relationship.  Thought of the ways in which I was then anticipating now, this very girl at my feet, this moment when I was the mother, and I had that dizzying experience where time kaleidoscopes into a single radiant moment.

“Will you read it to me, Mummy?” she asked, settling down into a cross-legged position on her floor, looking up at me beseechingly.

“Of course I will, Gracie.” And I began. And more than once, I had to pause to regain my composure and to swallow back the tears. Reading this poem to my eager daughter while looking at pictures of her writing her very first word. Pictures of her first word, her name. Grace. grace. Dear, dear universe. Thank you. Words, poetry, pen on paper, names, spelling, grace.

Gracie, my grace.

Spelling (Margaret Atwood)

My daughter plays on the floor
wit plastic letters,
read, blue, & hard yellow.
learning how to spell,
spelling,
how to make spells.

*

and I wonder how many women
denied themselves daughters,
closed themselves in rooms,
drew the curtains
so they could mainline words.

*

A child is not a poem,
A poem is not a child.
There is no either/or.
However.

*

I return to the story
of a woman caught in the war
& in labor, her thighs tied
together by the enemy
so she could not give birth.
Ancestress: the burning witch,
her mouth covered by leather
to strangle words.
A word after a word
after a word is power.

*

At the point where language falls away
from the hot bones, at the point
where the rock breaks open and darkness
flows out of it like blood, at
the melting point of granite
when the bones know
they are hollow & the word
splits & doubles & speaks
the truth & the body
itself becomes a mouth.
This is a metaphor.

*

How do you learn to spell?
Blood, sky, & the sun,
your own name first,
your first naming, your first name,
your first word.

A longing not of the body

Ice Storm (excerpt) – Jane Kenyon

The most painful longing comes over me.
A longing not of the body …

It could be for beauty –
I mean what Keats was panting after,
for which I love and honor him;
it could be for the promises of God;
or for oblivion, nada; or some condition even more
extreme, which I intuit, but can’t quite name.

Spring

Spring         – Mary Oliver

Somewhere
a black bear
has just risen from sleep
and is staring

down the mountain.
All night
in the brisk and shallow restlessness
of early spring

I think of her,
her four black fists
flicking against the gravel,
her tongue

like a red fire
touching the grass,
the cold water.
There is only one question:

how to love this world.
I think of her
rising
like a black and leafy ledge

to sharpen her claws against
the silence
of the trees.
Whatever else

my life is
with its poems
and its music
and its glass cities,

it is also this dazzling darkness
coming
down the mountain,
breathing and tasting,

all day I think of her –
her white teeth,
her wordlessness,
her perfect love.

Storm-tossed and run aground

“I am not afraid of storms, for I am learning how to sail my ship.” (Louisa May Alcott)

This quote, long known to me, has been in my mind lately. It occurred to me yesterday that overall, though, I feel a strange combination of storm-tossed and run aground. Both whipped around in a frenzy of wind and water, but also stuck, unable to move. This contradiction underlies a tension, I think, that I’ve written about before: the feeling of holding opposite poles in my hands simultaneously. The middle place, I guess. Stuck and lost. At the same time or alternating with an awkward rhythm.

Neither of these feelings is comfortable, and they both entail my Greatest Fear: being out of control. In the storm, I often feel unsafe, buffeted on all sides by influences whose intentions I am not sure of, by events and powers that I do not understand. But when run aground, I feel stuck, trapped, unable to move towards that life I am increasingly sure I want.

“A ship is safe in the harbor, but that is not what ships are built for.” (unknown)

All of the fear around being lost in the storm or stuck on the shoals could easily drive me to seek refuge in a safe, protected place. And oh how I know the feeling of wanting someone to keep the world at bay for me. But then I remind myself: this is not where life is lived. It is the moments when I’ve let go, gone on the (metaphorical) roller coaster, opened my heart up to the inevitable bruising … this is where I have felt most alive. And in truth? Most of the harbors I have known have become their own traps after a while.

“I must go down to the seas again, to the lonely sea and the sky.” (John Masefield)

Hiding, retreating: this is not the solution. The sea – the storm, the wind, the rain, the water, sharp shells in the shallows that can cut you – this is where life is. In the mess, the unpredictable patterns, the haunting call of seagulls and the rhythmic snapping of halyards against masts. In the squeals of children splashing at the water’s edge, in Grace’s incandescent grin when she swam to the distant raft by herself, in the flash of white sails in the sunlight as they pass by.

These thoughts of the sea remind me of my parents, always, powerfully. I close with one of my Dad’s favorite poems, which I also deeply love. It reminds me of what I have always known: that the sea, as disorderly and uncontrollable as it is, is also home. We cannot control the tempestuous ocean of this life. Better to cast out to sea.

Crossing the Bar (Alfred, Lord Tennyson)

Sunset and evening star,
And one clear call for me!
And may there be no moaning of the bar,
When I put out to sea,

But such a tide as moving seems asleep,
Too full for sound and foam,
When that which drew from out the boundless deep
Turns again home.

The twinning of loss and love

In the church, I force myself to look up into Mary’s eyes, to study the twisted agony of her mouth.  I kiss my baby’s sleeping head, bend down to press my nose to the fragrant scalp of my own son, squeeze the hand of Sam’s older daughter.  I am so sorry to see the limp curve of His only child, although I don’t actually believe in God.  But standing before this stricken Madonna, surrounded by what I love most in the world, I wonder: Was an entire religion generated from a mother’s most fervent wish that her child not be dead?  The twinning of loss and love seems suddenly to explain everything:  To devote ourselves properly to one another, we must brave love’s terrifying undertow, which is grief.  I am awed, suddenly, by our courage to love each other as recklessly as we do.  Awkward and confused, rational and godless – I am all of these things.  And yet this moment must be what people mean when they speak of grace.

-Catherine Newman