the Proust questionnaire

I feel like this picture – a little bit distracted – I am sorry

I’ve fallen back on questionnaires before, when inspiration fails me.  This is the Vanity Fair Proust questionnaire, which I always love.  I’m not alone: they recently published a book of them.  I particularly enjoy thinking about my favorite characters in fiction and who my heroes and heroines are.  I’d love to hear any of your answers to these questions – just link to them in the comments!

What do you regard as the lowest depth of misery?
Insomnia. Lonely, full of ghosts, and I panic about being tired the next day (preemptive anxiety being a specialty of mine).

Where would you like to live?
Cambridge is pretty good. Other candidates include on campus at Princeton and Palo Alto.

What is your idea of earthly happiness?
Empty hours, in bed alone with a book and my laptop.  Watching my sleeping children.  A glass of white wine on the rocks on my parents’ back porch in Marion with friends at the end of a long day in the sun.

To what faults do you feel most indulgent?
The faults of people unsure of their own strength and of their own path.

Who are your favorite heroes of fiction?
The Velveteen Rabbit, many of Raymond Carver’s stoic, hardworking heroes, Phineas in A Separate Peace, Harry Potter, Albus Dumbledore, the butler in The Remains of the Day.

Who are your favorite characters in history?
Joan of Arc, Eleanor of Aquitaine, Georgia O’Keeffe, MLK Jr, June Carter Cash

Who are your favorite heroines in real life?
Oprah, Ina May Gaskin, Anne Lamott, anyone engaged in the struggle to live authentically

Who are your favorite heroines of fiction?
Mamah Cheney (Loving Frank), Charity Lang (Crossing to Safety), Lyra (His Dark Materials), Eve (Paradise Lost), Mrs Ramsay (To the Lighthouse), Irina (Three Sisters)

Your favorite painter?
Helen Frankenthaler, Mark Rothko, Georgia O’Keeffe

Your favorite musician?
James Taylor

The qualities you most admire in a man?
Intelligence, strength, and humility. And the ineffable (and rare) ability to make me feel safe.

The qualities you most admire in a woman?
A sense of humor. Not taking her life too seriously. Fearless intelligence, even when it is contrarian. Physical courage & risktaking.

Your favorite virtue?
Patience.  Courage.  Constancy.

Your favorite occupation?
Definitely TBD. Am hopeful I will someday know!  Midwifery, writing, surgery, retailer, magazine editor, and headhunter have all been things I’ve considered.

Who would you have liked to be?
Pretty much anyone more centered and confident than I am!

I left a piece of myself there

Last week I read Amy at Never True Tales’ words on The Witching Years.  She writes about the years that her children were young, with a combination of regret, loss, gratitude and wonder that I recognize intimately.

It’s clearer here, on the other side. In the light. With kids who brush their own teeth and do their own homework and get their own snacks. I know now that being a mom of young children, staying in the house day after day, parenting solo 80% of the time…well, it is what it is. (Oh, is it ever.) I know that I did my best.

I also know I’ll never get those years back, as much as they often make me shudder: those years that passed so slowly as to nearly grind backward. Those years so long I measured my children’s ages in months instead. And that’s a travesty, because I left a piece of myself there. Something raw, and unmeasured, and instinctively maternal. Something sacrificial.

Those years were also, for me, a time that felt removed from the rest of my life.  It’s absolutely true that it’s clearer here, and also that this feels a bit like the “other side.”  In retrospect those dark years were a kind of slow, dark traverse, like the hours-long slog to the top of Mount Kilimanjaro where all I can remember is step, breathe, pause.  Step, breathe, pause.  In a white-out ice storm.  For eight hours.  All the while wanting it to be over, and then the minute I’m through it I want to go back.

Hurry up, slow down, faster, slower, the interplay of impatience and of regret.  This is the music to which my life is danced.  When my children were little I used to talk wistfully – everyone used to talk – about “getting my life back.”  And yes, I have my life back now.  But it’s not the same life.  And furthermore, I feel nothing short of anguish that I wished over some of the most tender, raw, and special days of my life.  I will never revisit that unique interval of time when your regular life – that life I wanted back so fiercely – recedes.  I will never have that wild magic back.

And I’d do it all over again in a heartbeat.  What I can’t stop thinking about is the notion of I left a piece of myself there. Oh, yes.  My first few months of motherhood were a crucible, so hot that I emerged made up of a totally different alloy.  In those dark weeks it rained and snowed constantly, we waited for Matt’s father to come through surgery, I woke up every morning from deep, soggy sleep and swallowed a white pill, believing desperately that it would help me?  Beyond those initial weeks, the first few years were also their own country.  Set to the drumbeat cadence of the needs of a toddler and an infant, the demarcations between day and night eroded, the very earth beneath my feet tilting perilously.   My sense of self adjusted slowly, creakingly, to this new forever-after reality?

What did I leave there?

I left my body swollen with childbirth, with milk, with life.  I left eyes so tired that they felt like they had sand in them; I’d press my fingers to my eyelids and see stars exploding faintly in the blackness.  I left behind the powdery smell of newborns, a bottle drying rack by the sink, mint green coils of diaper genie wrapped diapers, sterling silver rattles dented from being thrown on hardwood floors, and all sizes of white onesies. I left behind the explosive and extraordinary experience of natural childbirth, though it reverberates to this day through my sense of self.

I left my naive but absolute belief that motherhood was my birthright.  That shattered like a lightbulb exploding and left behind questions and doubts as numerous as those shards of glass.  One of the tasks of the last few years has been to see the beauty in the doubts, the tremendous richness in the questions.

Most of all I left behind my certainty.  My certainty that I knew what I was doing, that my path was assured, that I was safe.  That was lost forever in those weeks where my sense of solid ground shifted; the tremors of those days reverberate still.  Nothing feels safe, but the uncertainty holds a dangerous, fearful promise that I never anticipated.  The impact of those years is carved onto my soul as indelibly as a scar would be on my skin; the difference is it is invisible to others.

I grieve those old, surer, more confident versions of myself, though in retrospect I can see in each of them the buried seam of doubt, rising occasionally to the surface, disturbing the apparently smooth, clear surface like a pebble dropped into a lake.  That’s what I left there, most of all, in the autumn of 2002: who I was sure I was, what I was certain the world was, and the future I saw unfurling in front of me so vividly and assuredly.

Nothing has ever been sure again.  And what an immense, outrageous, terrifying blessing that has been.

Thanks to Denise for the link that sent me to Amy’s beautiful essay.

Cathedral

Cathedral, by Auguste Rodin

I absolutely adore this sculpture.  I found this photograph on a beautiful blog called A Year With Rilke.  Every day the blog shares a passage from Rilke, paired with a piece of art.  Rilke’s words alone are bone-chillingly gorgeous, and the juxtapositions with the pieces of art make them even more powerful.

This particular sculpture has been in my head ever since I saw it last week.  There’s something stunning about the angle of the hands, something animate in between them.  The title invokes the holiness manifest in human hands and in the space between.

The most mundane of things, our very own life-scarred hands, are equally as transcendent as the most ornate and soaring cathedral.  There is as much power and as much wonder in the simple human hand as in a grandiose cathedral.  And just as the empty space in a cathedral can be charged with meaning, with import, with grace itself, so can the spaces of our ordinary lives.

Several people have noted that kaleidoscopes are an image I return to, again and again.  It occurs to me as I write this post that cathedrals are, likewise, an important trope for me.  I spent my childhood visiting cathedral upon cathedral with my father, Hilary and I rolling our eyes at ADC (another damn cathedral) as we entered.  Yesterday I re-read Raymond Carver’s ever-powerful short story, Cathedral.  And I have an unpublished blog post from last summer about the light and shadow in the Harvard stadium as I ran up and down it, referring to a personal cathedral.  Cathedrals.  Alternately inspiring and intimidating to me, cathedrals are places where faith, and the willingness to leap into it, is palpable.

This week has felt like an awful lot of hard practice, and less like poetry.  But looking at this image, thinking about the cathedrals, literal and figurative, that I’ve known in my life, I feel chagrined, and ready to recommit to wonder.

May I enter the cathedral of every day with a heart open to awe.

Everyday life is a practice and a poem

Everyday life is a practice and a poem.

These words came to me on Friday in a yoga class.  My first yoga class in more months than I can count.  My body remembered the poses like some deeply known but forgotten language.  My mind ran and ran, occasionally settling into a thought, and this one came back, over and over: every day life is both practice and poem.

A practice and a poem.

Dinner with two old, dear friends.  Drive home in the icy darkness.  Say goodbye to Matt as he leaves for a weekend with his father and brothers.  Refill three heavy humidifiers, lug them up flights of stairs, watch the steady stream of moisture puffing into the darkness of the childrens’ rooms.

Kiss Grace and Whit good night.  Linger over my newly-minted six year old, his face more chiseled and boy-like every day, all traces of babyhood now gone.

Saturday morning, get the children dressed, go to Starbucks, the drycleaner, the grocery store.  Drop the groceries off at home.  Slip on the icy snow bank that lines the sidewalk as I try to bring bags of groceries into the house, the kids still in the car, the exhaust pipe billowing white into the crystalline, cold air.  Stop.  Breathe.

Drive to Whit’s birthday party.  Unload drinks, birthday cake, camera.  Several trips from car to Jump On In.  Grace whines because she wants a chocolate bar from the vending machine and I say no.  One of the other boys at the party’s father buys him a chocolate bar.  I still say no.  She threatens tears, crosses her arms across her chest, glares at me, stomps her foot.  I shake my head.  Stop.  Breathe.

25 boys run wild in a paradise of indoor blow-up jumpy castles.  Grace’s finger gets slammed and she cries, this time for real.  We awkwardly wrap and ice pack around it and watch the finger swell.  I wonder if the afternoon will hold another ER visit.  Stop.  Breathe.

Grace asks me to go down the tallest blow up slide with her.  I agree and climb up, clumsy on the unsteady inflated steps.  Grace holds her ice pack in one hand and my hand in the other.  We fly to the bottom, laughing, laughing.

Drive home.  The sky, which was cornflower blue when we arrived at the birthday party, is beginning to fade to pale gray, that winter whiteness that holds everything and nothing in its color.

I carry several loads of bags of presents into the house.  Do I ever arrive anywhere without a car trunk full of things that need unloading, unpacking, putting-into-place?  Whit pounces on the pile of presents and begins to rip into one.  I raise my voice, “Stop!  Wait for me to get in here!” He slinks into the couch to sit and wait, chastised.  Finally, with pad of paper and pen in hand to record the gifts for thank you notes, I let him loose on the bright pile of boxes.

I fill the recycling bin with wrapping paper, wondering how I will fit in all of the boxes and plastic that the toys will shed once actually opened.  When I open the lid of the recycling bin a cascade of snow falls down my front, and my wrists are suddenly freezing.  I’m wearing a pair of Matt’s sneakers, untied, because they were by the door, and I can feel cold wetness around my heels.  The children are shouting about something just inside the door.  I close my eyes for a minute, inhale, my foot poised above the top step.  Sometimes the work of this life is so daunting.  Breathe.

The children watch the Nancy Drew movie.  I put in a load of laundry and sit down at my desk to upload the pictures from the party.  After several minutes I look in on them, sitting close to each other on the couch, and feel a tidal wave of love break over me.  They both sense me staring and look at me, and two faces split into happy smiles.  I return a smile, through tears.

A practice and a poem.

Tucking in a 5 year old for the last time

I just tucked this guy in for the last time as a five year old.  I came upstairs for goodnight to see that he’d accessorized his pajamas with this sweatband (which has been a favorite for a long time).  That’s his monkey that he sleeps with every single night, who is (creatively) named Beloved Monkey.  He allowed me to hug him in his bed, because “snuggling is usually better in the bed,” before moving to a sleeping bag on the floor, which is how he prefers to sleep these days.  He also sleeps naked most of the time.  But that headband?  Tonight, he kept it on.

It’s hard to cry, which is my instinct on a night like this, when he makes me laugh so hard.

Goodbye, five year olds.

xo