annual wistful


Toward the Solstice, 1977

The thirtieth of November.
Snow is starting to fall.
A peculiar silence is spreading
Over the fields, the maple grove.
It is the thirtieth of May,
Rain pours on ancient bushes, runs
Down the youngest blade of grass.
I am trying to hold in one steady glance
All the parts of my life.
A spring torrent races
On this old slanting roof,
The slanted field below
Thickens with winter’s first whiteness.
Thistles dried to sticks in last year’s wind
Stand nakedly in the green,
Stand sullenly in the slowly whitening,
Field.
My brain glows
More violently, more avidly
The quieter, the thicker
The quilt of crystals settles,
The louder, more relentlessly
The torrent beats itself out
On the old boards and shingles.
It is the thirtieth of May,
The thirtieth of November,
A beginning or an end.
We are moving towards the solstice
And there is so much here
I still do not understand.
If I could make sense of how
My life is tangled
With dead weeds, thistles,
Enormous burdocks, burdens
Slowly shifting under
This first fall of snow,
Beaten by this early, racking rain
Calling all new life to declare itself strong
Or die,
If I could know
In what language to addrses
The spirits that claim a place
Beneath these low and simple ceilings,
Tenants that neither speak nor stir
Yet dwell in mute insistence
Till I can feel utterly ghosted in this house.
If history is a spider-thread
Spun over and over though brushed away
It seems I might some twilight
Or dawn in the hushed country light
Discern its greyness stretching
From molding or doorframe, out
Into the empty dooryard
And following it climb
The path into the pinewoods,
Tracing from tree to tree
In the falling light, in the slowly
Lucidifying day
Its constant, purposive trail,
Till I reach whatever cellar hole
Filling with snowflakes or lichen,
Whatever fallen shack
Or unremembered clearing
I am meant to have found
And there, under the first or last
Star, trusting to instinct
The words would come to mind
I have failed or forgotten to say
Year after year, winter
After summer, the right rune
To ease the hold of the past
Upon the rest of my life
And ease my hold on the past.
If some rite of separation
Is still unaccomplished,
Between myself and the long-gone
Tenants of this house,
Between myself and my childhod,
Between the childhood of my children,
It is I who have neglected
To perform the needed acts,
Set water in corners, light and eucalyptus
In front of mirrors,
Or merely pause and listen
To my own pulse vibrating
Lightly as falling snow,
Relentless as the rainstorm,
And hear what it has been saying.
It seems I am still waiting
For them to make some clear demand
Some articulate sound or gesture,
For release to come from anywhere
But from inside myself.
A decade of cutting away
Dead flesh, cauterizing
Old scars ripped open over and over
And still it is not enough.
A decade of performing
The loving humdrum acts
Of attention to this house
Transplanting lilac suckers,
Washing panes, scrubbing
Wood-smoke from splitting paint,
Sweeping stairs, brushing the thread
Of the spider aside,
And so much yet undone,
A woman’s work, the solstice nearing,
And my hand still suspended
As if above a letter
I long and dread to close.

To opt for chaos

Snowed in today. This is for real: snowing sideways this morning, now sleeting hard and cold. I have been puttering around the house most of the morning, doing laundry, reading, cooking. I made nut brittle, spiced pecans, and chocolate cherry cookies (really more like little bundles of yumminess, not really cookies). It is a no-holds-barred TV day. Surprisingly relaxing, when the children aren’t trying to kill each other.

Lacy sent me a great book about pregnancy and early motherhood that I loved (thanks, Lace!). I am following it up with a collection of essays on the same topic by some of my favorite writers. It is a trip through some familiar, soothing words – an excerpt from The Blue Jay’s Dance by Erdrich, and some of Adrienne Rich’s journal entries that I quoted in my thesis. Nothing better on a day like today than the well-worn, deeply-known cadences of sentences and paragraphs I have read over and over again.

“Life seems to flood by, taking our loves quickly in its flow. In the growth of children, in the aging of beloved parents, time’s chart is magnified, shown in its particularity, focused, so that with each celebration of maturity there is also a pang of loss. This is our human problem, one common to parents, sons and daughters, too – how to let go while holding tight, how to simultaneously cherish the closeness and intricacy of the bond while at the same time letting out the raveling string, the red yarn that ties our hearts.”

“In talking to other women over the years, I begin to absorb them somehow, as if we’re all permeable. Some days, I’m made up of a thousand mothers who have given one ironic look, one laugh at the right moment, one exasperated wave, one acknowledgment. Mothering is a subtle art whose rhythm we collect and learn, as much from one another as by instinct. Taking shape, we shape each other, with subtle pressures and sudden knocks. The challenges shape us, approvals refine, the wear and tear of small abrasions transform until we’re slowly made up of one another and yet wholly ourselves.”

both Erdrich, from The Blue Jay’s Dance

“To opt for kids is to opt for chaos, complexity, turbulence, and truth. Kids will make you love them in a way you never thought possible. They will also confront you with all the painful and unsavory emotions that humans put so much energy into trying to avoid. Children will teach you about yourself and about what it’s like not to be up to the demands of the most important responsibility you’ll ever have. They’ll teach you that you are capable of deep compassion, and also that you are definitely not the nice, calm, competent, clear-thinking, highly evolved person you fancied yourself to be before you became a mother.”

“I also think that kids are the best teachers of life’s most profound spiritual lessons: that pain and suffering are as much a part of life as happiness and joy; that change and impermanenence are all we can count on for sure; that we don’t really run the show; and that if we can’t find the maturity to surrender to these difficult truths, we’ll always be unhappy that our lives – and our children’s – aren’t turning out the way we expected or planned. Life doesn’t go the way we expect or plan, and nobody’s perfect, not ourselves or our children.”

both Harriet Lerner, from Vulnerability and Other Lessons

You are not here merely to make a living. You are here to enable the world to live more amply, with greater vision, and with a finer spirit of hope and achievement. You are here to enrich the world. You impoverish yourself if you forget this errand. – Woodrow Wilson

The need of man to wholly realize himself is the only fixed star. – Arthur Miller

I’ve been thinking a lot lately about how we spend our time. Our time, which is, after all, the only really valuable currency we have. Our hours are our life, right? It’s both how I allocate those hours and how I feel when I’m in them. Certainly the adult I spend the most time with is Anastasia. It feels frustratingly difficult to actually coordinate with the people I want to see most. There are the people whose paths I cross regularly, most of whom are a complete joy to see: Grace and Whit’s classmates’ parents, people at work, neighbors. But the ability to spend time focused on another person, truly just being with them, is so rare. Especially for me, who is often not mentally in the same place I am physically. Very often I waste the hours I do have thinking about other things, thinking forward or thinking back. The corollary here is that I am not really living my life, of course. There are very few people with whom I’m relieably 100% there, in the moment, not wanting to be somewhere else. This reminds me of Elizabeth Gilbert’s musings on meditation in E,P,L – the absolute agony of 45 minutes alone in her head. That is certainly how I feel!

Silent Night. This morning was the school holiday sing-a-long. We also woke up to a foot of snow. I had a major, dramatic, slow-motion wipeout en route to school and arrived snowy and late. But it was lovely. All the Beginners had paper snowflakes on their heads and to my pleasant surprise we sang songs about Kwanzaa, Chanukah, AND Christmas. We closed with Silent Night. I whispered to Grace, as the song started, “This was my Nana’s favorite carol,” and she looked at me with liquid eyes and said, “She’s in Heaven, right?” I love all carols, but Silent Night has particular resonance. It reminds me of Nana, and it also transports me back to the Exeter chapel, by candlelight, on a Thursday night in December, 1990. I was sitting with Eric and it was the holiday evening prayer service. For some reason it is one of the most vivid memories I have of the two years at Exeter.