Solstice

Toward the Solstice, 1977

The thirtieth of November.
Snow is starting to fall.
A peculiar silence is spreading
Over the fields, the maple grove.
It is the thirtieth of May,
Rain pours on ancient bushes, runs
Down the youngest blade of grass.
I am trying to hold in one steady glance
All the parts of my life.
A spring torrent races
On this old slanting roof,
The slanted field below
Thickens with winter’s first whiteness.
Thistles dried to sticks in last year’s wind
Stand nakedly in the green,
Stand sullenly in the slowly whitening,
Field.
My brain glows
More violently, more avidly
The quieter, the thicker
The quilt of crystals settles,
The louder, more relentlessly
The torrent beats itself out
On the old boards and shingles.
It is the thirtieth of May,
The thirtieth of November,
A beginning or an end.
We are moving towards the solstice
And there is so much here
I still do not understand.
If I could make sense of how
My life is tangled
With dead weeds, thistles,
Enormous burdocks, burdens
Slowly shifting under
This first fall of snow,
Beaten by this early, racking rain
Calling all new life to declare itself strong
Or die,
If I could know
In what language to addrses
The spirits that claim a place
Beneath these low and simple ceilings,
Tenants that neither speak nor stir
Yet dwell in mute insistence
Till I can feel utterly ghosted in this house.
If history is a spider-thread
Spun over and over though brushed away
It seems I might some twilight
Or dawn in the hushed country light
Discern its greyness stretching
From molding or doorframe, out
Into the empty dooryard
And following it climb
The path into the pinewoods,
Tracing from tree to tree
In the falling light, in the slowly
Lucidifying day
Its constant, purposive trail,
Till I reach whatever cellar hole
Filling with snowflakes or lichen,
Whatever fallen shack
Or unremembered clearing
I am meant to have found
And there, under the first or last
Star, trusting to instinct
The words would come to mind
I have failed or forgotten to say
Year after year, winter
After summer, the right rune
To ease the hold of the past
Upon the rest of my life
And ease my hold on the past.
If some rite of separation
Is still unaccomplished,
Between myself and the long-gone
Tenants of this house,
Between myself and my childhod,
Between the childhood of my children,
It is I who have neglected
To perform the needed acts,
Set water in corners, light and eucalyptus
In front of mirrors,
Or merely pause and listen
To my own pulse vibrating
Lightly as falling snow,
Relentless as the rainstorm,
And hear what it has been saying.
It seems I am still waiting
For them to make some clear demand
Some articulate sound or gesture,
For release to come from anywhere
But from inside myself.
A decade of cutting away
Dead flesh, cauterizing
Old scars ripped open over and over
And still it is not enough.
A decade of performing
The loving humdrum acts
Of attention to this house
Transplanting lilac suckers,
Washing panes, scrubbing
Wood-smoke from splitting paint,
Sweeping stairs, brushing the thread
Of the spider aside,
And so much yet undone,
A woman’s work, the solstice nearing,
And my hand still suspended
As if above a letter
I long and dread to close.

(Adrienne Rich)

Hope, winter, and Tufte

I am reading Awaiting the Child by Isabel Anders, a beautiful meditation on waiting, light, pregnancy, darkness, and religion. Thank you, Nicki, for the recommendation! The book is written as a daily journal by a minister’s wife, experiencing Advent as she also awaits the birth of her first child. It’s a lovely and thoughtful book, profound without being off-putting (to me).

Last night one chapter about wintry and summery believers really resonated.

Wintry spirituality is a kind of awareness, an acceptance of paradox – the coexistence of the irreconcilable. For the wintry believer, irony is a motif and a theme in our human story that cannot be ignored. Winter people know that even the most fulfilling presence of another is best mixed with a pinch of absence for contrast. The harder paradox is one of accepting that pain, too, has purpose and can be redemptive in the end…

This reminds me yet again of the same theme of light and darkness, joy and sorrow, the seems to echo through my days (and my writing, apologies for the ad nauseum pounding of the same thematic drum). I wonder again about this dichotomy, this coexistence of the irreconcilable: is it a venn diagram with one contained within the other (if so, which is bigger?), two overlapping circles, or neither? Does it matter? I don’t know. I know my instinct, always, is to categories, understand, bucket, as though by doing that I can control and compartmentalize my emotions. I know much better than that by now, but the instinct remains strong.

It will surprise nobody that I love charts, graphs, and all kinds of graphical displays of information (my love of maps is well documented). I grew up tripping over Tufte and still worship him. Indexed has been a great find for me, speaking to the Tufte-lover in me as well as the admirer of all things droll and cerebral (Jessica Hagy manages to be both simultaneously).

A random post this morning, but one that captures the multitude of weirdly-connected things that swirl in my head any given day. A beautiful book about spirituality and religion, musings about winter and summer, warm and cold, light and dark, and admiration for those who can succinctly and elegantly sum up complex thoughts in simple graphical terms.

Love came down at Christmas


Love came down at Christmas,
Love all lovely, love divine;
Love was born at Christmas,
Star and angels gave the sign.

Love shall be our token
Love be yours and love be mine,
Love to God and all men,
Love for plea and gift and sign.

– Christina Rossetti

Sunlight and Snow

The sunlight on the garden
Hardens and grows cold
We cannot cage the minute
Within its net of gold

-Louis MacNeice

Snow everywhere this morning. And a gorgeous, albeit cold light. This poem was in my head from when I first looked out the window. Why is it that I can’t remember major, important things but certain poems and quotations are imprinted on my memory, floating to the surface from time to time and insistently rendering themselves onto my consciousness?

A way of seeing that involves a letting go

Oh this reminds me of my post about how I am the photographer, and the ramifications this has to my ability to be present. This is, as far as I am concerned, as close to perfect prose as I have ever read. It traces the collision of poetry and physics. A way of seeing that is a way of letting go. Yes. Yes. It is not merely a physical act, seeing: it is also spiritual, emotional, and an act of will. Yes.

Oh, be still, my heart. This is the language I aspire to. I am merely a peon at the ankles of this language.

But there is another way of seeing that involves a letting go. When I see this way I sway transfixed and emptied. The difference between the two ways of seeing is the difference between walking with and without a camera. When I walk with a camera I walk from shot to shot, reading the light on a calibrated meter. When I walk without a camera, my own shutter opens and the moment’s light prints on my own silver gut … When I see this way I see truly. As Thoreau says, I return to my senses … But I can’t go out and try to see this way. I’ll faint, I’ll go mad … The secret of seeing is, then, the pearl of great price. If I thought he could teach me to find it and keep it forever I would stagger barefoot across a hundred deserts after any lunatic at all. But although the pearl may be found, it may not be sought. The literature of illumination reveals this above all: although it comes to those who wait for it, it is always, even to the most practiced and adept, a gift and a total surprise … I cannot cause light; the most I can do is try to put myself in the path of its beam. It is possible, in deep space, to sail on solar wind. Light, be it particle or wave, has force: you rig a giant sail and go. The secret of seeing is to sail on solar wind. Hone and spread your spirit til you yourself are a sail, whetted, translucent, broadside to the merest puff.

Annie Dillard, Pilgrim at Tinker Creek
(italics are mine)