Trust that it’s going to be good

I’ve been blogging for a long time.  I’ve also been reading blogs for a long time.  And there’s no question whose was the first blog to touch me, to move me to tears, to cause me to instantly bookmark it because I never wanted to be without the words I found there, ever again.

That was Jen Lemen‘s blog.  Jen’s words and drawings fall right into a deep hole inside of me, one whose depth I am still plumbing.  Her words help guide the way.  I had the privilege of meeting her this past summer at BlogHer, and when we hugged I felt like I’d known her all my life.  I feel a bit like an overzealous fangirl; after all I’d long ago written a blog post inspired by her words.

Jen in person is everything I imagined she would be.  She’s an inspiration and a guide, a role model for wholehearted living, for the willingness to dive deep and excavate what needs to be shared, and for staring unflinchingly into the light of who we are and who we could be.  I’m thrilled to feature her words today on trust.

unsure

Trust that it’s going to be good.
Trust that you’ll know what to do when the time comes.
Trust that kindness is waiting for you on the other side.
Trust that love is underneath all the worry and sadness you feel.
Trust that everything is unfolding exactly as it should.
Trust that you don’t have to be perfect.
Trust that mistakes are part of being human.
Trust that you can be loved even if you don’t know the answer.
Trust that there’s no one right way.
Trust that even in unraveling there is kindness and mercy.
Trust that there’s more than enough time to take care of yourself.
Trust that you don’t have to do it alone.
Trust that help is on the way.
Trust that miracles still happen.
Trust that nothing will be wasted.
Trust that being vulnerable is always a good idea.
Trust that saying no is necessary.
Trust that it’s okay to hit your limit.
Trust that joy is a way forward.
Trust that love always wins.
Trust that something greater is holding you.
Trust that it’s okay to break, to melt, to mend.
Trust that each step you take reveals the next step and the next.
Trust that you are loved more than you realize.
Trust that it’s going to be good.

What are you trusting in today?

Thank you Jen.  It’s an honor to know you.

I left a piece of myself there

Last week I read Amy at Never True Tales’ words on The Witching Years.  She writes about the years that her children were young, with a combination of regret, loss, gratitude and wonder that I recognize intimately.

It’s clearer here, on the other side. In the light. With kids who brush their own teeth and do their own homework and get their own snacks. I know now that being a mom of young children, staying in the house day after day, parenting solo 80% of the time…well, it is what it is. (Oh, is it ever.) I know that I did my best.

I also know I’ll never get those years back, as much as they often make me shudder: those years that passed so slowly as to nearly grind backward. Those years so long I measured my children’s ages in months instead. And that’s a travesty, because I left a piece of myself there. Something raw, and unmeasured, and instinctively maternal. Something sacrificial.

Those years were also, for me, a time that felt removed from the rest of my life.  It’s absolutely true that it’s clearer here, and also that this feels a bit like the “other side.”  In retrospect those dark years were a kind of slow, dark traverse, like the hours-long slog to the top of Mount Kilimanjaro where all I can remember is step, breathe, pause.  Step, breathe, pause.  In a white-out ice storm.  For eight hours.  All the while wanting it to be over, and then the minute I’m through it I want to go back.

Hurry up, slow down, faster, slower, the interplay of impatience and of regret.  This is the music to which my life is danced.  When my children were little I used to talk wistfully – everyone used to talk – about “getting my life back.”  And yes, I have my life back now.  But it’s not the same life.  And furthermore, I feel nothing short of anguish that I wished over some of the most tender, raw, and special days of my life.  I will never revisit that unique interval of time when your regular life – that life I wanted back so fiercely – recedes.  I will never have that wild magic back.

And I’d do it all over again in a heartbeat.  What I can’t stop thinking about is the notion of I left a piece of myself there. Oh, yes.  My first few months of motherhood were a crucible, so hot that I emerged made up of a totally different alloy.  In those dark weeks it rained and snowed constantly, we waited for Matt’s father to come through surgery, I woke up every morning from deep, soggy sleep and swallowed a white pill, believing desperately that it would help me?  Beyond those initial weeks, the first few years were also their own country.  Set to the drumbeat cadence of the needs of a toddler and an infant, the demarcations between day and night eroded, the very earth beneath my feet tilting perilously.   My sense of self adjusted slowly, creakingly, to this new forever-after reality?

What did I leave there?

I left my body swollen with childbirth, with milk, with life.  I left eyes so tired that they felt like they had sand in them; I’d press my fingers to my eyelids and see stars exploding faintly in the blackness.  I left behind the powdery smell of newborns, a bottle drying rack by the sink, mint green coils of diaper genie wrapped diapers, sterling silver rattles dented from being thrown on hardwood floors, and all sizes of white onesies. I left behind the explosive and extraordinary experience of natural childbirth, though it reverberates to this day through my sense of self.

I left my naive but absolute belief that motherhood was my birthright.  That shattered like a lightbulb exploding and left behind questions and doubts as numerous as those shards of glass.  One of the tasks of the last few years has been to see the beauty in the doubts, the tremendous richness in the questions.

Most of all I left behind my certainty.  My certainty that I knew what I was doing, that my path was assured, that I was safe.  That was lost forever in those weeks where my sense of solid ground shifted; the tremors of those days reverberate still.  Nothing feels safe, but the uncertainty holds a dangerous, fearful promise that I never anticipated.  The impact of those years is carved onto my soul as indelibly as a scar would be on my skin; the difference is it is invisible to others.

I grieve those old, surer, more confident versions of myself, though in retrospect I can see in each of them the buried seam of doubt, rising occasionally to the surface, disturbing the apparently smooth, clear surface like a pebble dropped into a lake.  That’s what I left there, most of all, in the autumn of 2002: who I was sure I was, what I was certain the world was, and the future I saw unfurling in front of me so vividly and assuredly.

Nothing has ever been sure again.  And what an immense, outrageous, terrifying blessing that has been.

Thanks to Denise for the link that sent me to Amy’s beautiful essay.

Pain engraves a deeper memory

I’ve been steering my life from my bed for three days now, with this nasty high-fever-flu-yuck.  It feels right to repost what I wrote a year ago today, when I was beginning the book that would change my life: Dani Shapiro‘s Devotion.

Incidentally, Glenda pointed out that my post last week about Rodin’s Cathedral was an echo of Albert Steiglitz’s portrait of Georgia O’Keeffe’s hands.  That portrait was the frontispiece of my college thesis, which was about Anne Sexton.  And Dani writes, in the pages of Devotion, about Anne Sexton.

Around and around we go, dancing with the same themes over and over again, welcoming new voices and bidding farewell to others … oh I am so fortunate to be a part of this dance.

Pain Engraves a Deeper Memory

I can’t put Devotion down. Run, don’t walk, to buy it. To say I’m obsessed is an understatement. I feel as though Dani Shapiro is speaking straight from my heart, albeit far more elegantly and eloquently than I ever could.  I’m about 2/3 of the way through and I have underlined at least a big chunk of most of the pages.  I love Dani’s voice, she writes about the same things that are utterly preoccupying me right now, and I just don’t even have words yet for the way this story is touching me.  I am sure this will be the first of many posts about this book.

But one passage in particular is on my mind today.  I’ve been thinking for weeks that I needed to write about how this is my blog.  Not my life.  Not my spirit.  I get a fair number of inquiries, from people in person and through email, people I know personally and people I don’t, asking if I am okay.  These people mean well, I’m sure of it.  And I am often taken aback by the question because I am more than okay.  I am well.  I realize that people are responding to what they read here, and I know this is a public forum and that of course I choose what I write and publish.

This is what I read in Devotion that brought this recent issue to mind:

“The poet Anne Sexton was once asked why she wrote almost exclusively about dark and difficult subjects: Pain engraves a deeper memory was her response.

I love Anne Sexton, wrote my thesis in college on her, and any mention of her makes me feel instantly connected.  I’m surprised, actually, that I had never heard this sentence.  “I look for uncomplicated hymns, but love has none,” is one of my favorite quotations of both hers and all time.  This one goes on that list.  I think there is power and truth in those five words.

Yes.  I have long responded to those who, from their experience on this blog, express concern that I seem gloomy and sad that that isn’t true – it’s just that I find in the more complicated thoughts more fertile ground for exploration.  The grayer parts of my heart and head are where the interesting stuff to write about is, at least to my mind.  I am not particularly interested in reading anyone writing about how fantastic and perfect their life is, least of all me.  And, while my life is absolutely, inarguably rich and full and tremendously blessed, it’s not true that I experience every day as unmitigated sunshine.  I don’t.

I’ve written before about how I “incline towards melancholy.”  There’s no question about that.  But I also firmly believe that this tendency to feel things deeply also allows me to experience a surpassing joy that might not be available to me without the darkness.  I still don’t know if this connection is about capacity or contrast; I’m not sure it matters.  I think I lean towards capacity, though: because of the deep scars that pain has engraved into my spirit, there is a deep repository for joy, when it comes, to fill.

The introspection on this blog is definitely part of my personality, and there is nothing inauthentic here.  But the blog is also not a comprehensive representation of my life; far from it.  I understand the confusion that occurs there and know that it comes from a place of support and love.  I guess I just felt compelled to say, in the echoing voices of two of my literary idols, that my choice of topics is just because pain engraves a deeper memory.

3 Sisters Village

I am thrilled to be interviewed by Melissa at 3 Sisters Village today.  I hope you will click over and read the interview and then browse the beautiful site.  3 Sisters Village is an online creative community space.  I love what Melissa and the other sisters are building here, and join my voice to the chorus of those celebrating the rich and splendid potential that exists in the fully-expressed creativity of women.

Oh, and other than that?  Sick as a dog in bed.  101 fever.  And basically, this is what I’ve been doing:

Please note height of snow pile (that filter was a mistake – gah)

Cathedral

Cathedral, by Auguste Rodin

I absolutely adore this sculpture.  I found this photograph on a beautiful blog called A Year With Rilke.  Every day the blog shares a passage from Rilke, paired with a piece of art.  Rilke’s words alone are bone-chillingly gorgeous, and the juxtapositions with the pieces of art make them even more powerful.

This particular sculpture has been in my head ever since I saw it last week.  There’s something stunning about the angle of the hands, something animate in between them.  The title invokes the holiness manifest in human hands and in the space between.

The most mundane of things, our very own life-scarred hands, are equally as transcendent as the most ornate and soaring cathedral.  There is as much power and as much wonder in the simple human hand as in a grandiose cathedral.  And just as the empty space in a cathedral can be charged with meaning, with import, with grace itself, so can the spaces of our ordinary lives.

Several people have noted that kaleidoscopes are an image I return to, again and again.  It occurs to me as I write this post that cathedrals are, likewise, an important trope for me.  I spent my childhood visiting cathedral upon cathedral with my father, Hilary and I rolling our eyes at ADC (another damn cathedral) as we entered.  Yesterday I re-read Raymond Carver’s ever-powerful short story, Cathedral.  And I have an unpublished blog post from last summer about the light and shadow in the Harvard stadium as I ran up and down it, referring to a personal cathedral.  Cathedrals.  Alternately inspiring and intimidating to me, cathedrals are places where faith, and the willingness to leap into it, is palpable.

This week has felt like an awful lot of hard practice, and less like poetry.  But looking at this image, thinking about the cathedrals, literal and figurative, that I’ve known in my life, I feel chagrined, and ready to recommit to wonder.

May I enter the cathedral of every day with a heart open to awe.